Re-constructing heritage: the National Theatre of Scotland’s Calum’s Road

Niccole Carner
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Abstract

David Harrower’s adaptation of Roger Hutchinson’s novel, Calum’s Road (2011, 2013) tells the real-life story of Calum MacLeod, and his quest to build a road from Arnish to South Arnish on the island of Raasay in the Inner Hebrides. Calum is representative of the everyday hero that can be found throughout Scottish texts and stories—one that remains true to himself, and fights for the cause he believes in, no matter how small it may seem to the government, or the people around him. The play highlights a dying age, and yet emphasizes the importance of merging the past with the ever changing present and is ultimately a celebration of failure. This article explores the role of heritage and heroism within Harrower’s play and, by extension, contemporary Scotland, by examining the relationship between struggle and failure, as well as the mutual responsibility within the national community to work to create a new image of the Scottish nation.
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重建遗产:苏格兰卡勒姆路国家剧院
大卫·哈罗厄改编自罗杰·哈钦森的小说《卡勒姆之路》(2011年,2013年)讲述了卡勒姆·麦克劳德的真实故事,以及他在内赫布里底群岛的Raasay岛上建造一条从阿尼什到南阿尼什的道路的探索。卡勒姆是在苏格兰文本和故事中随处可见的日常英雄的代表——一个忠于自己,为自己所信仰的事业而奋斗的人,不管这对政府或他周围的人来说是多么微不足道。该剧强调了一个垂死的时代,但也强调了将过去与不断变化的现在融合在一起的重要性,最终是对失败的庆祝。本文探讨了遗产和英雄主义在哈罗厄戏剧中的作用,并延伸到当代苏格兰,通过研究斗争与失败之间的关系,以及在民族社会中努力创造苏格兰民族新形象的共同责任。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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