Are the Latin Responsories of the Jeu d’Adam the Source of the Play?

Q2 Arts and Humanities European Medieval Drama Pub Date : 2017-01-01 DOI:10.1484/j.emd.5.116050
Christophe Chaguinian
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Abstract

The seven responsories that are included in the vernacular dialogue of the Jeu d’Adam have been traditionally interpreted as being the source of the play. The French sections would be an example of the technique of farcitura, in other words they would be translations of a Latin model. In this article, I argue that this interpretation is incorrect. Close textual analysis of the Jeu d’Adam shows that these liturgical chants are not the starting point of the play but were subsequently added to it. The resemblance between the responsories and the French text can be accounted for by the author’s habit of paraphrasing the biblical text.
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《犹太亚当》的拉丁责任曲是该剧的来源吗?
《犹太亚当》的方言对话中包含的七个责任传统上被解释为该剧的来源。法语部分将是farcitura技巧的一个例子,换句话说,它们将是拉丁模式的翻译。在本文中,我认为这种解释是不正确的。对《犹太亚当》的仔细文本分析表明,这些礼拜圣歌不是戏剧的起点,而是后来添加到戏剧中的。回答和法语文本之间的相似之处可以通过作者改写圣经文本的习惯来解释。
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来源期刊
European Medieval Drama
European Medieval Drama Arts and Humanities-Literature and Literary Theory
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期刊介绍: European Medieval Drama (EMD) is an annual journal published by Brepols. It was launched in 1997 in association with the International Conferences on Medieval European Drama organised at the University of Camerino, Italy, by Sydney Higgins between 1996 and 1999. The first four volumes of European Medieval Drama (1997-2000) published the Acts of these conferences. This series of conferences was suspended for the foreseeable future in 1999. At the Tenth Triennial Colloquium of the Société Internationale pour l"étude du Théâtre Médiéval (SITM), held in Groningen, the Netherlands, in August 2001, it was proposed that EMD should be published in association with SITM. This proposal has now been approved by all interested parties, and comes into effect as of spring 2002.
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