Thoughts on the socialisation of preventive archaeological conservation in Spain

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Conservar Patrimonio Pub Date : 2020-12-17 DOI:10.14568/cp2020017
Ana Pastor Pérez
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引用次数: 1

Abstract

This paper proposes a reflection on the evolution of the concept of preventive conservation in archaeology and its social interaction (or socialization), from a reflexive and theoretical point of view. It is a manuscript that outlines the current role of Preventive Conservation Plans and how the participation of society in heritage management is addressed. Heritage is understood as a multi-temporal entity that transcends the materiality of the object and enables us to turn towards a preventive archaeological conservation that preserves current contexts and their stories, integrated into participatory or community archaeology. Through a series of questions, the reader will become an active player in questioning who conservation actions are targeted at, whether society or experts. Lastly, it will outline some proposals for promoting a preventive conservation that tackles, transforms and broadens its desired social dimension.
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西班牙预防性考古保护社会化的思考
本文从反思性和理论性的角度,对考古学中预防性保护概念的演变及其社会互动(或社会化)进行了反思。这是一份手稿,概述了预防性保护计划的当前作用,以及如何解决社会参与遗产管理的问题。遗产被理解为一个多时间的实体,它超越了物体的物质性,使我们能够转向预防性考古保护,保留当前的背景和他们的故事,融入参与性或社区考古。通过一系列的问题,读者将成为一个积极的参与者,质疑谁是保护行动的目标,是社会还是专家。最后,它将概述一些促进预防性保护的建议,以处理、改变和扩大其理想的社会层面。
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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