Materials characterization of albumen prints from Calouste Gulbenkian´s memories album

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Conservar Patrimonio Pub Date : 2023-01-01 DOI:10.14568/cp26220
Alba Guerrero, Joana Silva
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引用次数: 0

Abstract

The present investigation gathers the results of the characterization and scientific analysis of a memories album with albumen prints from the end of the 19th century, belonging to the art collector Calouste Sarkis Gulbenkian. The study has focused on different analytical techniques, such as optical microscopy (OM), energy dispersive X-ray micro-fluorescence (ED-XRF), Fourier transform infrared spectroscopy with attenuated total reflectance (ATR-FTIR), Raman microspectroscopy (μ-Raman) and Fourier transform infrared microspectroscopy (μ-FTIR). The use of these different and complementary techniques allowed us to collect important information about this album, namely some organic and inorganic components present in the photographic prints and its conservation condition, data about its manufacture and to make an approximation to its historical dating.
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Calouste Gulbenkian记忆相册中蛋白版画的材料表征
目前的调查收集了一本19世纪末的相册的特征和科学分析的结果,该相册属于艺术收藏家Calouste Sarkis Gulbenkian。研究的重点是不同的分析技术,如光学显微镜(OM)、能量色散x射线微荧光(ED-XRF)、衰减全反射傅里叶变换红外光谱(ATR-FTIR)、拉曼微光谱(μ-Raman)和傅里叶变换红外微光谱(μ-FTIR)。使用这些不同的和互补的技术使我们能够收集有关这张专辑的重要信息,即照片中存在的一些有机和无机成分及其保存状况,有关其制作的数据,并对其历史日期做出近似。
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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