An approach to HBIM methodology applied to the conservation of altarpieces: two case studies in the Canary Islands

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Conservar Patrimonio Pub Date : 2023-01-01 DOI:10.14568/cp27293
Silvia Díaz Parrilla, Antonio-J. Sánchez Fernández, Jorge Luis de la Torre Cantero
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引用次数: 0

Abstract

The altarpiece is a heritage asset with specific formal characteristics, which justifies its registration in favour of its conservation and dissemination. Given its three-dimensional nature, this study proposes the use of the HBIM methodology to create a digital replica of the altarpiece, which constitutes an information model for professional, academic or informative use. Its application involves a set of processes, intervening agents and many options regarding tools -hardware and software- used according to the needs. We present two case studies: an altarpiece in its original location and another moved to a workshop, which poses different challenges on how to capture its physical configuration, what information to add and how to present it to the user. We propose a methodology for documenting altarpieces initiated in the Canary Islands and that could be extrapolated to the study of altarpieces from different periods and geographies.
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应用于祭坛保护的HBIM方法:加那利群岛的两个案例研究
祭坛是一种具有特定形式特征的遗产资产,这证明了它的注册有利于它的保护和传播。鉴于其三维性质,本研究建议使用HBIM方法创建祭坛的数字复制品,这构成了专业、学术或信息使用的信息模型。它的应用涉及到一组过程、中介和许多根据需要使用的工具——硬件和软件——的选择。我们提出了两个案例研究:一个祭坛在原来的位置,另一个搬到车间,这对如何捕捉其物理配置,添加什么信息以及如何将其呈现给用户提出了不同的挑战。我们提出了一种记录加那利群岛祭坛作品的方法,可以推断出不同时期和地理位置的祭坛作品的研究。
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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