Silvia Díaz Parrilla, Antonio-J. Sánchez Fernández, Jorge Luis de la Torre Cantero
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引用次数: 0
Abstract
The altarpiece is a heritage asset with specific formal characteristics, which justifies its registration in favour of its conservation and dissemination. Given its three-dimensional nature, this study proposes the use of the HBIM methodology to create a digital replica of the altarpiece, which constitutes an information model for professional, academic or informative use. Its application involves a set of processes, intervening agents and many options regarding tools -hardware and software- used according to the needs. We present two case studies: an altarpiece in its original location and another moved to a workshop, which poses different challenges on how to capture its physical configuration, what information to add and how to present it to the user. We propose a methodology for documenting altarpieces initiated in the Canary Islands and that could be extrapolated to the study of altarpieces from different periods and geographies.
期刊介绍:
Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.