Challenges in preservation of functional objects in museological context: the role of documentation in safeguarding of musical instruments collections

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Conservar Patrimonio Pub Date : 2023-01-01 DOI:10.14568/cp29148
Cláudia Furtado
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Abstract

Musical instruments are objects that, like scientific and industrial objects, were not built to be observed. Their creation purpose is based on a specific cultural function: to be played. This purpose can be momentarily recovered within museums, when the instruments incorporated in the collections are played in performative events such as concerts, recital, among others. Museological documentation assumes a particularly relevant role in this context, not only in the preservation of the material support of musical instruments, but also in safeguarding information about the records of performative events as part of the history of these objects. This article aims to raise some considerations about the role of documentation as part of the conservation of museological objects, with a particular focus on musical instruments collections.
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在博物馆的背景下保存功能对象的挑战:文件在保护乐器收藏中的作用
乐器就像科学和工业产品一样,不是用来观察的。它们的创作目的是基于一个特定的文化功能:被发挥。当这些乐器在音乐会、独奏会等表演活动中演奏时,这种目的可以在博物馆中暂时恢复。在这种情况下,博物馆文献承担着特别重要的作用,不仅在保存乐器的材料支持方面,而且在保护作为这些物品历史一部分的表演事件记录的信息方面。本文旨在提出一些关于文献在博物馆文物保护中的作用的思考,特别关注乐器收藏。
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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