Cultural Authenticity as Entropic Metanarrative: A Case from Ryukyuan Studies

Assistant Professor Yoshinobu Ota
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引用次数: 2

Abstract

In examining an history of ethnographic investigations of the Ryukyus, a long chain of islands south of Japan, this paper proposes to identify a process by which the Ryukyuan culture is constructed as the authentic, exotic Other, a process to which not only Japanese ethnographers and folklorists but also Western anthropologists have actively contributed. The search for authentic culture in the Ryukyus, prima facie a theoretical as well as empirical issue, cannot be separated from social and political contexts in which such a search has taken place. This paper analyzes a system of signification that not only defines but also formulates the authentic Ryukyus as an object of study and that excludes as a consequence the “emergent Ryukyus,” which reflects the creative, reinventive efforts of the current Ryukyuan people.

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作为熵元叙事的文化真实性:以琉元研究为例
在考察琉球这个位于日本南部的长链岛屿的民族志调查历史时,本文提出确定琉球文化被建构为真实的、外来的他者的过程,这一过程不仅是日本民族志学家和民俗学家,而且是西方人类学家都积极贡献的过程。在琉球寻找真正的文化,从表面上看是一个理论和经验问题,不能与进行这种寻找的社会和政治背景分开。本文分析了一个意义系统,它不仅定义了真正的琉球,而且还将琉球作为一个研究对象,因此排除了“新兴琉球”,这反映了当前琉球人的创造性和再创造努力。
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