Spaces of Agency: Installation Art in Dionne Brand’s What We All Long For

IF 0.1 4区 文学 0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN CANADIAN LITERATURE Pub Date : 2014-01-01 DOI:10.14288/CL.V0I223.186487
V. Austen
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引用次数: 1

Abstract

Abstract: This article establishes that Tuyen’s practice of installation art functions as a means of negotiating the past’s space within the present. By establishing Tuyen’s initial lack of control over the intrusion of her family’s loss into her physical surroundings, this essay perceives her art practice as Tuyen’s means of gaining agency over the spaces she inhabits and thereby over how the history of her family’s tragedy infiltrates these spaces. As this essay argues, in giving the past a material presence that can be bodily experienced, installation art, as represented by Brand, becomes a key means through which the destructive power of the traumatic past can be defused.
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代理空间:迪翁·布兰德《我们都渴望的东西》中的装置艺术
摘要:本文确立了图延的装置艺术实践是一种将过去的空间置于当下的协商手段。通过建立Tuyen最初对她的家庭损失侵入她的物理环境缺乏控制,本文认为她的艺术实践是Tuyen在她居住的空间中获得代理的手段,从而在她的家庭悲剧历史如何渗透到这些空间中。正如本文所论述的那样,在赋予过去一种可以被身体体验的物质存在的过程中,装置艺术,以布兰德为代表,成为一种关键的手段,通过这种手段,创伤过去的破坏力可以被化解。
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来源期刊
CANADIAN LITERATURE
CANADIAN LITERATURE LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN-
CiteScore
0.30
自引率
0.00%
发文量
34
期刊介绍: Canadian Literature aims to foster a wider academic interest in the Canadian literary field, and publishes a wide range of material from Canadian and international scholars, writers, and poets. Each issue contains a variety of critical articles, an extensive book reviews section, and a selection of original poetry.
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