Pojęcie „nowej sakralności” w muzyce cerkiewnej

Elpis Pub Date : 2021-01-01 DOI:10.15290/elpis.2021.23.16
Rafał Dmitruk
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Abstract

The article is devoted to the concept of the „new sacredness” in Orthodox music. The „new sacredness” is a term that has appeared in this field for some time. The article will analyze all the sources of this term. Church singing is designed to help the believer during the divine service in a conversation with God. Orthodox music and its influence should create an appropriate atmosphere that brings a person closer to God. The conductor and the composer play a very important role in this program. They have a great responsibility, because their main task is to help believers reach God.
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教堂音乐中的“新神圣”概念
这篇文章致力于东正教音乐中“新神圣性”的概念。“新神圣性”这个词在这个领域出现已经有一段时间了。本文将分析这个术语的所有来源。教会歌唱的目的是帮助信徒在敬拜中与神对话。正统音乐及其影响应该创造一种适当的氛围,使人更接近上帝。指挥家和作曲家在这个节目中扮演着非常重要的角色。他们有很大的责任,因为他们的主要任务是帮助信徒接近神。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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审稿时长
12 weeks
期刊最新文献
Polityka państwa wobec Kościoła prawosławnego w Polsce w latach 1918-1921 Droga bułgarskiego Kościoła do autokefalii (IX–XX w.) Aleksandra Nowacka „Smak akacji. Obrazki z Kazachstanu. Pisma literackie”, red., opracowanie tekstów i wstęp Jarosław Ławski, Naukowa Seria Wydawnicza „Pisarze Podlasia i Kresów”, t. V, Białystok Sakralno-muzyczne tradycje regionu chełmskiego na przykładzie autorskiej edycji hymnów i pieśni cerkiewnych Zmiany w konstantynopolitańskiej interpretacji prawa do nadawania autokefalii
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