Disability Cinema’s Next Wave

IF 0.6 3区 艺术学 0 FILM, RADIO, TELEVISION FILM QUARTERLY Pub Date : 2022-01-01 DOI:10.1525/fq.2022.76.2.55
Lawrence Carter-Long
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Abstract

Traditionally, the depiction of disability in cinema has mirrored the dominant worldview’s outside-looking-in perspective. By contrast, today’s New Wave of Disability Cinema starts from the inside and shines outward, with a different focus, POV, and intentions. Lawrence Carter-Long reviews the current crop of films that replace appeals for inclusion with proclamations of purpose, representing an overdue evolution in what stories are told and who gets to tell them. He argues that the unique skills of disabled artists have been too long denied agency by limited imaginations and an ableist gaze.
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残疾人电影的下一波浪潮
传统上,电影对残疾的描绘反映了主流世界观的由外而内的视角。相比之下,今天的新浪潮残障电影则是由内而外,着眼点、视角和意图都有所不同。劳伦斯·卡特-朗(Lawrence Carter-Long)评论了当前这批电影,它们用目的宣言取代了对包容的呼吁,这代表了在讲述什么故事和由谁来讲述故事方面一种迟来的进化。他认为,残疾艺术家的独特技能长期以来一直被有限的想象力和残疾主义者的目光所否定。
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来源期刊
FILM QUARTERLY
FILM QUARTERLY FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
40.00%
发文量
36
期刊介绍: Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.
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