HENRI BERGSON'S INTUITIONISM AS A CATALYST OF INTERPRETING PROCESSES

O. Onyschenko
{"title":"HENRI BERGSON'S INTUITIONISM AS A CATALYST OF INTERPRETING PROCESSES","authors":"O. Onyschenko","doi":"10.17721/ucs.2020.1(6).07","DOIUrl":null,"url":null,"abstract":"The article analyses the process of intuitionism's \"entry\" into European philosophical – aesthetical and studying of art area from 1913 – the year of publishing the first English speaking interpretation of the French thinker. It is shown as the line of thesis of his philosophical conception transformed into the sphere of artistic creation and influenced on the art of the XX century. The examples of intuitionism's interpretation which are represented in modern Ukrainian human science have been accented. It is underlined that the first experience of English – language interpretation of Henri Bergson's ideas, whose works were very popular in European cultural area, is connected with the name of Gerbert Wildom Karr (1859 – 1931), who proposed popular account of the French theorists views in the work The philosophy of Bergson. The accent is made on the fact that G.W. Karr's interpretational model uses the principle of systematization of \"the problem field\" which H. Bergson formed during the first decade of the XX century. Special attention is paid to\"intuitionalism\" – composed part of \"bergsonism\" in the context of which a special theoretic loading lies on the factors \"memory\" and \"time\". Examining \"time\" H. Bergson proposes to take into consideration its \"reversibility\" and \"non-reversibility\". It is shown that factors \"memory\" and \"time\" were actively used in avant-garde art and in \"logic – alogic\" of the building of literary works of the school of \"new novel\" and in European cinematograph of the 70 – 80 years of the ХХ century. As a good example of aesthetic-artistic embodiment of the modifications of \"memory\" and \"time\" the creation of famous Spanish producer Karlos Sauro has been considered. It is emphasized that a special load in the general system of views of H. Bergson is \"intuitionism\", which in the European cultural space was highly appreciated by both the philosophical community and artists. It is emphasized that such factors of \"intuitionism\" as intelligence, instinct, intuition, time, memory, are still relevant in the research field.","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ukrayins''ki kul''turologichni studiyi","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17721/ucs.2020.1(6).07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The article analyses the process of intuitionism's "entry" into European philosophical – aesthetical and studying of art area from 1913 – the year of publishing the first English speaking interpretation of the French thinker. It is shown as the line of thesis of his philosophical conception transformed into the sphere of artistic creation and influenced on the art of the XX century. The examples of intuitionism's interpretation which are represented in modern Ukrainian human science have been accented. It is underlined that the first experience of English – language interpretation of Henri Bergson's ideas, whose works were very popular in European cultural area, is connected with the name of Gerbert Wildom Karr (1859 – 1931), who proposed popular account of the French theorists views in the work The philosophy of Bergson. The accent is made on the fact that G.W. Karr's interpretational model uses the principle of systematization of "the problem field" which H. Bergson formed during the first decade of the XX century. Special attention is paid to"intuitionalism" – composed part of "bergsonism" in the context of which a special theoretic loading lies on the factors "memory" and "time". Examining "time" H. Bergson proposes to take into consideration its "reversibility" and "non-reversibility". It is shown that factors "memory" and "time" were actively used in avant-garde art and in "logic – alogic" of the building of literary works of the school of "new novel" and in European cinematograph of the 70 – 80 years of the ХХ century. As a good example of aesthetic-artistic embodiment of the modifications of "memory" and "time" the creation of famous Spanish producer Karlos Sauro has been considered. It is emphasized that a special load in the general system of views of H. Bergson is "intuitionism", which in the European cultural space was highly appreciated by both the philosophical community and artists. It is emphasized that such factors of "intuitionism" as intelligence, instinct, intuition, time, memory, are still relevant in the research field.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
柏格森的直觉主义是解释过程的催化剂
本文分析了自1913年这位法国思想家的第一部英文译本出版以来,直觉主义“进入”欧洲哲学美学和艺术研究领域的过程。它表现为他的哲学观念转化为艺术创作领域的命题路线,并对二十世纪的艺术产生了影响。强调了现代乌克兰人文科学中所代表的直觉主义解释的例子。亨利·柏格森的著作在欧洲文化界非常流行,对其思想进行英语语言解释的第一次经验与格伯特·威尔多姆·卡尔(1859 - 1931)的名字有关,他在著作《柏格森哲学》中提出了对法国理论家观点的流行描述。强调的是,G.W.卡尔的解释模型使用了柏格森在20世纪头十年形成的“问题场”的系统化原则。本文特别关注“直觉主义”——它是“柏格森主义”的一部分,在这种语境下,“记忆”和“时间”这两个因素被赋予了特殊的理论负荷。柏格森在考察“时间”时,提出了“可逆性”和“不可逆性”两方面的考虑。研究表明,“记忆”和“时间”因素在先锋艺术、“新小说”派文学作品建构的“逻辑-逻辑”以及ХХ世纪70 - 80年代的欧洲电影中都被积极地运用。作为对“记忆”和“时间”的修饰的审美艺术体现的一个很好的例子,西班牙著名制片人卡洛斯·索罗的创作被认为是一个很好的例子。强调柏格森的一般观点体系中的一个特殊负荷是“直觉主义”,这在欧洲文化空间中受到哲学界和艺术家的高度赞赏。强调“直觉主义”的因素如智力、本能、直觉、时间、记忆等在研究领域仍然具有相关性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
20
审稿时长
20 weeks
期刊最新文献
INTERNATIONAL COOPERATION IN THE FIELD OF CULTURE UNDER THE CONDITIONS OF THE RUSSIAN-UKRAINIAN WAR: CULTURAL ASPECT SAVING UKRAINIAN CULTURAL HERITAGE DURING THE WAR: PRACTICES OF INTERNATIONAL INTERACTIONS THEME OF THE WAR IN FINE ARTS: PECULIARITY OF HISTORICAL AND CULTURAL TRANSFORMATIONS MOBILE APP DESIGN FUNCTIONALITY WITH DIGITALIZED CULTURAL HERITAGE OBJECTS OF KHARKIV CITY AND KHARKIV REGION FROM "RED" TO "NEW" CULTURE: TRADITION AND INNOVATIONS IN CHINESE MARXISM
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1