ANTHROPOLOGY OF VICTIM IN POSTMODERN CULTURAL PRACTICES

O. Pushonkova
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Abstract

The article examines the anthropological dimension of the victim phenomenon through the prism of Rene Girard's concept and modern studies of nihilistic tendencies of cultural scenarios with dominant polar psychotypes. The significance of Rene Girard's theory in the study of the arche- typal basis of victim behavior, its historical sources and myth-ritual basis is studied. The cultural specifics of modern forms of counteracting vic- timhood and value contradictions of the victim's figure in the conditions of new threats to humanity, changes in the space of culture in the direction of increasing dependence on media communication platforms, are revealed. Some aspects of the victim's behavior have been linked to identity patterns which suggests a hedonistic-entertaining culture format that results in narcissistic choices or escapist behavior. The article clarifies the nature of the interaction between the images of the victim in the era of multimedia communication and cultural practices which acquire the charac- ter of a ritual response to the archaic internal conflict in the context of cultural-traumatic discourse. Examining the sacred nature of the victim in the processes of desacralization of modern culture, according to R. Girard, preservation and es- sential transformation of this defining archetype as a medium of aggression is concluded. In the modern scenarios a model of total victim is formed that has lost the function of channeling social aggression, falling into a vicious circle of destruction of either oneself or others (W. Kraus), or which is "stuck" in the "triangle of fate", where everyone is a victim (S. Karpman). A hedonist who suffers from shortcomings in a flat everyday life, having lost the tragedy of his own existence in the culture, acts as its re- pressed subject, but is not aware of it, according to the psychoanalytic theory of cultural trauma. However, in everyday practices (bullying, gaslight- ing, trolling) anyone can be a victim at any time. In a more global dimension, we are talking about the collective nature of sacrifice, as evidenced by the tendencies of radicalism, terrorism, war, genocide, etc. It is possible to eliminate human inherent aggressive instincts only through the step-by-step development of the value sphere (W. Kraus). This is the only thing that can prevent the self-destruction of the mankind and solve the problem of intraspecific aggression, which was considered from different points of view by K. Lorentz and R. Girard.
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后现代文化实践中的受害者人类学
本文通过勒内·吉拉德的概念和现代研究的棱镜来考察受害者现象的人类学维度,这些研究具有主导的极性心理类型的文化情景的虚无主义倾向。研究了勒内·吉拉德理论在受害者行为的原型基础、历史渊源和神话仪式基础研究中的意义。揭示了在人类面临新威胁的条件下,在日益依赖媒介传播平台的方向上,文化空间的变化以及受害者形象的价值矛盾在现代形式中对抗受害者人格的文化特殊性。受害者行为的某些方面与身份模式有关,这表明一种享乐主义娱乐文化形式导致了自恋的选择或逃避现实的行为。本文阐明了多媒体传播时代的受害者形象与文化实践之间互动的本质,在文化创伤话语的语境中,受害者形象与文化实践之间的互动具有对古老内在冲突的仪式反应的特征。通过对现代文化去神圣化过程中受害者的神圣性的考察,吉拉德总结了这一定义原型作为侵略媒介的保存和本质转化。在现代情景中,形成了一种完全受害者的模式,这种模式失去了引导社会侵略的功能,陷入了毁灭自己或他人的恶性循环(W. Kraus),或者被“困”在“命运三角”中,每个人都是受害者(S. Karpman)。精神分析的文化创伤理论认为,一个在平淡的日常生活中遭受缺陷的享乐主义者,在文化中失去了自己存在的悲剧性,成为文化中被压抑的主体,但却没有意识到这一点。然而,在日常实践中(欺凌、煤气灯、拖钓),任何人都可能在任何时候成为受害者。在全球范围内,我们谈论的是牺牲的集体性质,激进主义、恐怖主义、战争、种族灭绝等趋势都证明了这一点。只有通过价值领域的逐步发展,才能消除人类固有的攻击性本能(W.克劳斯)。只有这样才能防止人类的自我毁灭,解决种内侵略问题,这一点洛伦兹(K. Lorentz)和吉拉德(R. Girard)从不同的角度考虑过。
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