{"title":"CULTURAL ANALYSIS OF GASTRONOMIC PRACTICES REPRESENTED IN THE NEW MEDIA","authors":"D. A. Bandurko","doi":"10.17721/ucs.2022.1(10).07","DOIUrl":null,"url":null,"abstract":"The article studies the problem of nutrition, which comes as the basis for the existence security of an individual as well as of any community. The transition to thermo-processed food was a necessary stage of humanization in the process of human genesis from nature, as long as the in- crease in its assimilation provides a time release for other activities and, accordingly, their more complex specialization. Therefore, the transfor- mation of \"raw into cooked\" (C. Lévi-Strauss), which becomes a part of gastronomic practice basic definition, implies not only the technology of cooking (the actual operations with food), but also the process of human self-production, which has its social and even cosmological contexts. We should understand this process within historical dynamics. After all, each historical and cultural epoch makes a \"food revolution\" (F. Braudel) and creates its own \"Tastes of Paradise\" (W. Schivelbusch). The new field of food studies, which is actively developing on the basis of existing humani- tarian scientific approaches to media and gastronomic practices taken together, presents actual material for cultural studies. Gastronomic practices engaging into the global media space, and gastronomic culture acting at the present stage as a process of de- differentiation of the structures of everyday life and the media environment, represent actual objects of cultural studies. This approach reveals such a basic unit of analysis as cultural practice, defined as a routine type of behavior consisting of interrelated elements (forms of culture of presence and culture of meaning, human activity, objects and ways of using them). Cultural practice in a gastronomic dimension is the process of cooking as an element of self-production of man and community, of the care for themselves and for others. The distinction between mediation as a process of cultural products communication as media production (in this case, people and things in the production and consumption of food in the unity of material, social and spiritual dimensions) and mediatization as a process of media hierarchy constructing (which becomes apparent at the level of media formation) is another important element of the gastronomic practices study in the situation of new media.","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ukrayins''ki kul''turologichni studiyi","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17721/ucs.2022.1(10).07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The article studies the problem of nutrition, which comes as the basis for the existence security of an individual as well as of any community. The transition to thermo-processed food was a necessary stage of humanization in the process of human genesis from nature, as long as the in- crease in its assimilation provides a time release for other activities and, accordingly, their more complex specialization. Therefore, the transfor- mation of "raw into cooked" (C. Lévi-Strauss), which becomes a part of gastronomic practice basic definition, implies not only the technology of cooking (the actual operations with food), but also the process of human self-production, which has its social and even cosmological contexts. We should understand this process within historical dynamics. After all, each historical and cultural epoch makes a "food revolution" (F. Braudel) and creates its own "Tastes of Paradise" (W. Schivelbusch). The new field of food studies, which is actively developing on the basis of existing humani- tarian scientific approaches to media and gastronomic practices taken together, presents actual material for cultural studies. Gastronomic practices engaging into the global media space, and gastronomic culture acting at the present stage as a process of de- differentiation of the structures of everyday life and the media environment, represent actual objects of cultural studies. This approach reveals such a basic unit of analysis as cultural practice, defined as a routine type of behavior consisting of interrelated elements (forms of culture of presence and culture of meaning, human activity, objects and ways of using them). Cultural practice in a gastronomic dimension is the process of cooking as an element of self-production of man and community, of the care for themselves and for others. The distinction between mediation as a process of cultural products communication as media production (in this case, people and things in the production and consumption of food in the unity of material, social and spiritual dimensions) and mediatization as a process of media hierarchy constructing (which becomes apparent at the level of media formation) is another important element of the gastronomic practices study in the situation of new media.
本文研究的是营养问题,它是个人和任何社区生存安全的基础。向热加工食品的过渡是人类从自然起源过程中人性化的必要阶段,只要其同化的增加为其他活动提供了时间释放,并相应地为其更复杂的专业化提供了时间释放。因此,将“生的变成熟的”(C. l vi- strauss)转变为烹饪实践基本定义的一部分,不仅意味着烹饪技术(与食物的实际操作),而且意味着人类自我生产的过程,这有其社会甚至宇宙学背景。我们应该在历史动态中理解这一过程。毕竟,每一个历史和文化时代都会产生一场“食物革命”(F.布罗代尔),并创造出自己的“天堂的味道”(W.希弗布希)。食品研究的新领域是在现有的人道主义科学方法的基础上积极发展起来的,将媒体和美食实践结合在一起,为文化研究提供了实际的材料。融入全球媒体空间的美食实践,以及现阶段作为日常生活结构和媒体环境去分化过程的美食文化,代表了文化研究的实际对象。这种方法揭示了文化实践这一分析的基本单位,它被定义为一种由相互关联的元素(存在文化和意义文化的形式、人类活动、对象和使用它们的方式)组成的常规行为。在烹饪方面的文化实践是将烹饪作为人类和社区自我生产的一个要素的过程,是对自己和他人的照顾。作为媒介生产的文化产品传播过程的中介(在这种情况下,人与物在物质、社会和精神维度的统一中生产和消费食物)与作为媒介层次建构过程的媒介化(在媒介形成层面变得明显)之间的区别是新媒体情况下烹饪实践研究的另一个重要因素。