Changes and Chances in a Multipart Singing Community and Its Tradition, before and throughout the Global Isolation

IF 0.2 0 MUSIC Journal of World Popular Music Pub Date : 2023-07-10 DOI:10.1558/jwpm.26386
Delia Dattilo
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Abstract

The Sacred Harp community was among the groups most affected by pandemic seclusion. Their multipart singing practice is a cultural heritage that includes both oral and written traditions, and creates a strong interaction between people through formalized music codes and behaviours that emerge, develop, and manifest in highly iconic communal spaces. Since global isolation made live singing impossible, this trans-cultural community tried to preserve the continuity of its multipart singing tradition by developing a set of strategies based on virtual singing and online activities. Although the fundamental elements were drastically affected by the isolation, participants represented missing sound environments using all possible means to recreate the spirit and gestation of social singing. After participating as a singer with a local group during fieldwork, I had to reshape my research methods to the pandemic, focusing on aspects of music dissemination that are less evident during physical gatherings.
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在全球孤立之前和整个过程中,多部分歌唱社区及其传统的变化与机遇
圣竖琴社区是受流行病隔离影响最大的群体之一。他们的多声部歌唱实践是一种文化遗产,包括口头和书面传统,并通过形式化的音乐规范和行为在高度标志性的公共空间中出现、发展和体现,在人与人之间创造了强烈的互动。由于全球隔离使现场演唱成为不可能,这个跨文化社区试图通过制定一套基于虚拟演唱和在线活动的策略来保持其多部分演唱传统的连续性。虽然基本要素受到隔离的严重影响,但参与者代表着缺失的声音环境,他们使用一切可能的手段来重现社会歌唱的精神和孕育。在实地考察期间,我作为一名歌手与一个当地团体一起参与了调查,我不得不根据疫情调整我的研究方法,把重点放在音乐传播中不太明显的方面。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
12
期刊介绍: Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.
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