FOTOĞRAF SANATINDA PORTRE TİPOLOJİLERİ

Eren Görgülü
{"title":"FOTOĞRAF SANATINDA PORTRE TİPOLOJİLERİ","authors":"Eren Görgülü","doi":"10.20488/SANATTASARIM.971365","DOIUrl":null,"url":null,"abstract":": This article titled “Portrait Typologies in Photography Art” aims to bring together typological portrait studies created with photographic portraits from the nineteenth century to the present. For this purpose, photographic works, in which portraits are brought together comprehensively, are covered in this article. The use of photography, which is used to record social, scientific, and artistic activities, by many disciplines from anthropology to zoology, medicine to botany, for documentation and visual data creation reveals the importance of the subject. The data about typological portraits in the art of photography were reached within the framework of a literature review and these studies were analysed using the content analysis method. The works of Dr. Hugh Welch Diamond, Guillaume Duchenne de Boulogne, Francis Galton, and Alphonse Bertillon are important in terms of subject as the first typological examples in the nineteenth century leading portrait typologies. The typologies of August Sander and Walker Evans in portrait typology are remarkable studies in twentieth century photography art. And, in portrait typologies in contemporary photography, artists such as Boris Mikhailov, Taryn Simon, JR, Martin Schoeller, and Angelica Dass have brought a different perspective to the concepts of individual and identity by applying the typology method to portrait photography. The expression method, typological grouping, style of expression, and content of the meaning that artists attribute to the portraits in their typological portrait works are analysed and interpreted in terms of technical approach. The typological portraits in the text are discussed and evaluated chronologically.","PeriodicalId":56168,"journal":{"name":"Anadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Anadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20488/SANATTASARIM.971365","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

: This article titled “Portrait Typologies in Photography Art” aims to bring together typological portrait studies created with photographic portraits from the nineteenth century to the present. For this purpose, photographic works, in which portraits are brought together comprehensively, are covered in this article. The use of photography, which is used to record social, scientific, and artistic activities, by many disciplines from anthropology to zoology, medicine to botany, for documentation and visual data creation reveals the importance of the subject. The data about typological portraits in the art of photography were reached within the framework of a literature review and these studies were analysed using the content analysis method. The works of Dr. Hugh Welch Diamond, Guillaume Duchenne de Boulogne, Francis Galton, and Alphonse Bertillon are important in terms of subject as the first typological examples in the nineteenth century leading portrait typologies. The typologies of August Sander and Walker Evans in portrait typology are remarkable studies in twentieth century photography art. And, in portrait typologies in contemporary photography, artists such as Boris Mikhailov, Taryn Simon, JR, Martin Schoeller, and Angelica Dass have brought a different perspective to the concepts of individual and identity by applying the typology method to portrait photography. The expression method, typological grouping, style of expression, and content of the meaning that artists attribute to the portraits in their typological portrait works are analysed and interpreted in terms of technical approach. The typological portraits in the text are discussed and evaluated chronologically.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
FOTOGRAPH疗养中的端口类型错误
这篇题为“摄影艺术中的肖像类型学”的文章旨在汇集19世纪至今用摄影肖像创作的肖像类型学研究。为此,本文涵盖了将肖像综合在一起的摄影作品。从人类学到动物学,从医学到植物学,许多学科都使用摄影来记录社会、科学和艺术活动,用于记录和视觉数据创造,这揭示了该学科的重要性。在文献综述的框架内获得关于摄影艺术中的类型学肖像的数据,并使用内容分析法对这些研究进行分析。休·韦尔奇·戴蒙德博士、纪尧姆·杜尚·德·布洛涅、弗朗西斯·高尔顿和阿尔方斯·贝蒂永的作品在主题方面很重要,是19世纪主要肖像类型学的第一批典型。奥古斯特·桑德和沃克·埃文斯在肖像类型学中的类型学研究是20世纪摄影艺术的杰出研究。在当代摄影的人像类形学中,Boris Mikhailov、Taryn Simon、JR、Martin Schoeller、Angelica Dass等艺术家通过将类形学方法应用于人像摄影,为个体和身份的概念带来了不同的视角。对艺术家在类型学肖像作品中赋予肖像的表现方式、类型学分组、表现风格、意义内容等进行了技术方法上的分析和解读。文本中的类型肖像按时间顺序进行了讨论和评估。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
20
期刊最新文献
Kaybolan Yazımsal Tasarım ve Sanat Nesnesi “Aşk Mektupları”, Tipografi Dersi Önerisi Değişen Güzellik Anlayışı ve Kadın Bedeni Üzerinden Sanatta Temsili Küreselleşme Sürecinde Değişen Kimliklerin Güncel Sanattaki Yansımaları Chantal Joffe’nin Resimlerinde Model – Tema İlişkisi Kişisel Mekân Kavramı Doğrultusunda Geliştirilmiş Etkileşimli Giysi Tasarımları
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1