Improving Intellectual Access for Blind and Partially Sighted Visitors to Temporary Exhibitions: An Inclusive Design Solution

IF 0.6 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM International Journal of the Inclusive Museum Pub Date : 2019-01-01 DOI:10.18848/1835-2014/CGP/V12I01/39-62
Anne E Chick
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引用次数: 1

Abstract

This article explores the collaborative design, curation and assessment of a temporary exhibition that aimed to bring intellectual access to blind and partially sighted visitors. The multi-sensory desk concept is the core component of the inclusive design, and is the focus of this paper. Older people (65-74 years) are increasingly likely to experience sight loss and they are the fastest growing visitor group to UK museums and galleries. Presently there are approximately two million people in the UK registered blind or partially sighted, which will double by 2050. Accessible design guidance was reviewed and a working document of relevant guidelines developed. Most guidance is aimed at developing permanent exhibitions. This research was directed by co-production principles using a multi-methods approach. Ethnographic fieldwork was conducted with observations and note taking, along with open-ended interviews, co-creation workshops, visitor written feedback, and co-assessment sessions. The research participants were blind and sight loss visitors, curatorial staff, exhibition designers, SENSE and RNIB representatives. The resulting exhibition has achieved a positive experience and emotional impact for the blind and partially sighted visitors, through the opportunity for independent movement and thought, and subsequent learning and knowledge exchange. Over 15,500 people visited the exhibition in three months.
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改善盲人和弱视参观者参观临时展览的知识通道:一个包容性的设计解决方案
这篇文章探讨了一个临时展览的合作设计、策划和评估,旨在为盲人和弱视游客带来知识。多感官办公桌概念是包容性设计的核心组成部分,也是本文研究的重点。老年人(65-74岁)越来越容易失去视力,他们是英国博物馆和画廊增长最快的游客群体。目前,英国约有200万人注册为盲人或弱视者,到2050年这一数字将翻一番。审查了无障碍设计指南,并编制了相关指南的工作文件。大多数指导方针旨在发展永久性展览。本研究以合作生产原则为指导,采用多种方法。人种学的实地工作包括观察和记录,以及开放式访谈、共同创造研讨会、访客书面反馈和共同评估会议。研究对象包括盲人和视障者、策展人员、展览设计师、SENSE和RNIB代表。由此产生的展览通过独立运动和思考的机会,以及随后的学习和知识交流,为盲人和弱视参观者带来了积极的体验和情感影响。三个月内,超过15,500人参观了展览。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
International Journal of the Inclusive Museum
International Journal of the Inclusive Museum Arts and Humanities-Conservation
CiteScore
1.10
自引率
0.00%
发文量
9
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