Western Audiovisual Stereotypes of Russian Image: The Ideological Confrontation Epoch (1946-1991)

A. Fedorov
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引用次数: 1

Abstract

This article included the analysis of the Western audiovisual stereotypes of Russian image from the period of ideological confrontation (1946-1991): ideological and social trends, classification of the contents’ models and genres. The content analysis of the western media texts of the period of the “cold war” (1946-1991) allows to present their main plot diagrams as follows: Soviet spies penetrate into the territory of the USA/Western country to commit diversion and/or to worm out military secrets; the USSR prepares a covert attack on the territory of the USA/Western world, creating secret bases with nuclear weapons; the inhuman Soviet totalitarian regime oppresses its own people or the people of any other country; Nonconformity leaves/attempts to leave the USSR where, in their opinion, democracy and individual freedom are being oppressed; common western people explain to Soviet military/civilian visitors who were mislead by propaganda that the USA/Western country is the stronghold of friendship and worldwide prosperity and peace; obstacles connected with the ideological confrontation between the USSR and the Western world appear on the way of a loving couple.
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西方对俄罗斯形象的视听刻板印象:意识形态对抗时代(1946-1991)
本文分析了意识形态对抗时期(1946-1991)西方对俄罗斯形象的视听刻板印象:思想和社会趋势,内容模式和类型的分类。通过对“冷战”时期(1946-1991)西方媒体文本的内容分析,可以得出其主要情节图如下:苏联间谍渗透到美国/西方国家的领土内进行转移和/或窃取军事机密;苏联准备对美国/西方世界的领土进行秘密攻击,建立秘密的核武器基地;不人道的苏联极权主义政权压迫本国人民或任何其他国家的人民;不服从者离开/试图离开苏联,在他们看来,苏联的民主和个人自由受到压迫;普通的西方人向被宣传误导的苏联军事/平民游客解释说,美国/西方国家是友谊和世界繁荣与和平的堡垒;与苏联和西方世界意识形态对抗有关的障碍出现在一对恩爱夫妻的道路上。
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