Chinese pavilions in the early landscape gardens of Europe

IF 0.1 0 ARCHITECTURE Landscape Architecture and Art Pub Date : 2021-01-01 DOI:10.22616/j.landarchart.2021.18.08
Albert Fekete, Péter Győri
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Abstract

The image of China perceived by the Europeans in the 17th to 18th century was based on the travelogues of the travellers and missionaries. Despite the fact that the first descriptions did not include any pictures of the world, people and landscapes described, the far exotic country with its history and tangible heritage became very popular. This article deals with Chinese pavilions (pagodas, teahouses) built in the early European landscape gardens before 1750 without any architectural plans, using only sketches based on descriptions and travelogues, since in the first half of the 18th century, no relevant technical guidance was available yet. The structures reviewed started to be used frequently in European gardens and public parks from 1750’s, having an inevitable influence on the garden pavilions built from the second half of the 18th century, and indirectly to the image and character of some influential gardens in European context. Moreover, through their craggy appearance, the Chinese pavilions – as eye catchers – played an accentuated compositional and spatial role too in the European garden history.
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欧洲早期园林景观中的中国亭子
17至18世纪,欧洲人对中国的印象是基于旅行者和传教士的游记。尽管最初的描述并没有包括任何关于世界、人物和风景的图片,但这个有着悠久历史和有形遗产的遥远异国情调的国家却变得非常受欢迎。由于18世纪上半叶还没有相关的技术指导,因此本文讨论的是1750年以前欧洲早期园林中建造的中国亭台(宝塔、茶馆),没有任何建筑平面图,仅使用基于描述和游记的草图。这些结构从18世纪50年代开始在欧洲花园和公共公园中频繁使用,对18世纪下半叶建造的花园亭子产生了不可避免的影响,并间接影响了欧洲一些有影响力的花园的形象和特征。此外,通过其凹凸不平的外观,中国亭子——作为引人注目的人——在欧洲园林历史上也发挥了突出的构图和空间作用。
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