“As Fully Incomprehensible as the Northern Lights”: Literary Identities in The Adventures of an Author

Q2 Arts and Humanities Authorship Pub Date : 2015-06-17 DOI:10.21825/AJ.V4I1.1104
Heather Ladd
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引用次数: 1

Abstract

This essay considers an anonymously-written and understudied novel, The Adventures of an Author (1767), as self-consciously reflecting the complexities and multiplicities of professional authorship in the mid-eighteenth century. Containing a vividly-realized fictive print society, this two-volume work revolves around the exploits of a writer-protagonist named Jack Atall who confusedly constructs his own literary autobiography. Investigating The Adventures of an Author as a comic negotiation of developing conceptions of authorship and the book trade, the novel is read as ironically underlining how discussions like Young’s Conjectures on Original Composition and Ralph’s Case of Authors fall short in defining and defending the professional author. It can be argued that Adventures represents the period’s conceptions of authorship as unstable, depicting the chaotic inclusivity of the Republic of Letters and the inability of authorial polemics to contain and control the operations of the literary marketplace.
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“像北极光一样完全不可理解”:《一个作家的冒险》中的文学身份
这篇文章考虑了一部匿名写作和未被充分研究的小说《一个作家的冒险》(1767),它自觉地反映了18世纪中期职业作家身份的复杂性和多样性。这部两卷本的作品生动地描绘了一个虚构的印刷社会,围绕着一个名叫杰克·阿特尔的作家主人公的事迹展开,他困惑地构建了自己的文学自传。《调查一个作家的冒险》是一部关于作者身份和图书贸易概念发展的喜剧谈判,这部小说被认为是讽刺地强调了像杨的《关于原创作品的猜想》和拉尔夫的《作者案例》这样的讨论在定义和捍卫职业作家方面是如何不足的。可以说,《历险记》代表了这一时期作者身份不稳定的概念,描绘了文坛混乱的包容性,以及作者论战无法遏制和控制文学市场的运作。
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CiteScore
0.20
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0.00%
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0
审稿时长
24 weeks
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