{"title":"On the future of music history in professional and central-peripheral European musical circumstances","authors":"Mirjana Veselinović-Hofman","doi":"10.2298/muz1926115v","DOIUrl":null,"url":null,"abstract":"In considering the chosen topic, I proceed from the complex relationship between music history, music historiography and musicology, focusing on musicology as an interdisciplinary branch of music history. I consider the issue of its future from two viewpoints: 1) from the viewpoint of the future which we can control through professional means, striving for a certain professional vision and the highest professional criteria, and 2) of the future we cannot influence through the profession itself. This aspect of the future is a problem of peripheral musicologies, because these are axiologically dependent on the centre?s relationships towards the Other and scepticism regarding its evaluation.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muzikologija-Musicology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/muz1926115v","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 1
Abstract
In considering the chosen topic, I proceed from the complex relationship between music history, music historiography and musicology, focusing on musicology as an interdisciplinary branch of music history. I consider the issue of its future from two viewpoints: 1) from the viewpoint of the future which we can control through professional means, striving for a certain professional vision and the highest professional criteria, and 2) of the future we cannot influence through the profession itself. This aspect of the future is a problem of peripheral musicologies, because these are axiologically dependent on the centre?s relationships towards the Other and scepticism regarding its evaluation.
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