Mokranjac on repeat: Reaffirming musical canon through sound recordings (PGP-RTB/RTS discography)

IF 0.2 0 MUSIC Muzikologija-Musicology Pub Date : 2019-01-01 DOI:10.2298/muz1927221m
Biljana Milanović, Marija Maglov
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引用次数: 1

Abstract

Starting with the hypothesis that sound recordings published by the Serbian/ Yugoslav record label PGP-RTB/RTS dominated programmes of the Radio Television Belgrade/Radio Television Serbia during most of the twentieth century (while declining in this century), and that decisions made within the label on which composers? works were going to be (repeatedly) present in its catalogue consequently had significant impact on overall music and media culture in Serbia/Yugoslavia, our goal was to examine how the central composer figure of Serbian music, Stevan Stojanovic Mokranjac, was represented in this catalogue. Research methods were based primarily on analysis of archive material gathered in documentation of the label itself, data on recordings available via online music databases, and recordings themselves, while relying on theoretical notions of canon in music, with the accent on the performing canon.
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Mokranjac on repeat:通过录音重申音乐经典(PGP-RTB/RTS唱片)
从塞尔维亚/南斯拉夫唱片厂牌PGP-RTB/RTS发行的录音在20世纪的大部分时间里主导着贝尔格莱德广播电视/塞尔维亚广播电视的节目(虽然在本世纪有所下降)的假设开始,并且厂牌内做出的决定是关于哪些作曲家?作品将(反复)出现在其目录中,因此对塞尔维亚/南斯拉夫的整体音乐和媒体文化产生了重大影响,我们的目标是研究塞尔维亚音乐的核心作曲家史蒂文·斯托亚诺维奇·莫克兰雅克是如何在这个目录中表现出来的。研究方法主要基于对厂牌本身文档中收集的档案材料的分析,通过在线音乐数据库提供的录音数据,以及录音本身,同时依赖于音乐经典的理论概念,重点是表演经典。
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0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
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