Services to Russian and Serbian saints in the context of the Annual Circle of Church singing of the 16th-17th centuries

IF 0.2 0 MUSIC Muzikologija-Musicology Pub Date : 2020-01-01 DOI:10.2298/muz2028061v
Natal'ia Ramazanova Vasil'evna
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Abstract

The article examines the services of Russian and Serbian saints in the context of the General artistic space of Russia during the period when it remained the only Orthodox state. ? significant number of services to the Roman, Byzantine, Russian and Slavic Saints written in the most complete Sticherarions with the subtitle ?D?iach?ie oko?, at that ?hants to Russian and Serbian saints, were created in Russia. Composers based on Byzantine canons, including the structure of services, sequence of chants, orientation to common models. One-type artistic techniques are used in worship services. However, chants differed significantly, as the singers creatively treated poetic texts using different musical methods.
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在16 -17世纪的教会歌唱年度循环的背景下对俄罗斯和塞尔维亚圣徒的服务
本文从俄罗斯作为唯一的东正教国家的整体艺术空间的角度考察了俄罗斯和塞尔维亚圣徒的服务。? 大量对罗马、拜占庭、俄罗斯和斯拉夫圣徒的祭礼,用最完整的史册写成,副标题为?D?ie oko吗?当时,俄罗斯和塞尔维亚的圣徒们的墓碑都是在俄罗斯建造的。基于拜占庭教规的作曲家,包括服务的结构,圣歌的顺序,朝向共同的模式。在礼拜仪式中使用一种艺术手法。然而,由于歌手创造性地使用不同的音乐方法来处理诗歌文本,圣歌有很大的不同。
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CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
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