Vlach vocal traditional music in the region of Homolje from the legacy of Olivera Mladenovic

IF 0.2 0 MUSIC Muzikologija-Musicology Pub Date : 2020-01-01 DOI:10.2298/muz2028235r
Maja Radivojevic
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Abstract

Olivera Mladenovic researched Vlach culture in the 1980s. Recordings preserved in the archive of the Institute of Ethnography SASA also contain examples of vocal practice of the Vlachs from Homolje region (Northeast Serbia). The material was recorded on six audio cassettes, which were later digitized. As ethnomusicological studies of this area are very scarce, the recorded material certainly represents a valuable testimony to the musical culture of the Vlach ethnic community. The aim of this article is to determine the particularities of the recorded examples, based on ethnomusicological analysis and transcription, as well as to isolate the vocal genres found on these audio cassettes. Vocal examples from the recordings of Olivera Mladenovic will be paired with existing examples from the literature, as well as examples of current practice recorded by the author of this article. In this way, at least a partial picture of the Vlachs? musical life in Homol?? from the 1980s to the present day will be established, and the comparison will allow us to observe continuity and change.
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弗拉赫地区的声乐传统音乐来自奥利维拉·姆拉德诺维奇的遗产
奥利维拉·姆拉德诺维奇在20世纪80年代研究了弗拉赫文化。保存在SASA民族志研究所档案中的录音也包含了来自霍莫列地区(塞尔维亚东北部)的瓦拉克人的声乐练习的例子。这些材料被录在六盒录音带上,后来被数字化。由于对该地区的民族音乐学研究很少,因此这些记录材料无疑是对弗拉赫族社区音乐文化的宝贵见证。本文的目的是根据民族音乐学分析和转录来确定记录示例的特殊性,以及分离这些录音带上发现的声乐类型。Olivera Mladenovic录音中的声乐例子将与文献中的现有例子以及本文作者记录的当前实践例子配对。这样的话,至少能看到瓦拉斯家族的一部分吧?霍莫尔的音乐生活??从20世纪80年代到现在将建立,比较将使我们观察到连续性和变化。
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0.00%
发文量
5
审稿时长
12 weeks
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