You Will Find Yourself Disoriented’: Food and the Disruption of Gendered, Political, and Literary Norms in Pat Mora’s House of Houses

IF 0.1 3区 艺术学 0 MUSIC MUSICAL QUARTERLY Pub Date : 2020-01-01 DOI:10.21427/15MQ-CR24
Méliné Kasparian
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引用次数: 1

Abstract

educated one: the narrator ‘knows’ that she shouldn’t bite or chew, because she has learned that from her grandmother. This evocation of appetite participates in the text’s depiction of a woman-centered sensuality, dissociated from masculine pleasure. Mora writes: ‘Mornings when I rub cream into my legs after a bath, I think of the women in my family in the rooms of my heart, each rubbing cream between her hands, then up her legs, enjoying the quiet and the feel of stroking, soothing, our own flesh’ (Mora, 2008a, p.181). This disruption of patriarchal norms is also achieved through revisiting myths and narratives that have been used historically to promote the suppression of women’s appetites and desires. One such narrative centers on the Virgin Mary, who, as the antidote to Eve, embodies the expectation that women should deny themselves the fulfillment of their appetites. In the Chicano cultural context, the Virgin Mary translates as ‘La Virgen de Guadalupe,’ a symbol of female sacrifice, devotion, and submissiveness, as feminist writer Sandra Cisneros explained:
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你会发现自己迷失了方向:食物和性别,政治和文学规范的破坏在帕特·莫拉的房子
受过教育的人:叙述者“知道”她不应该咬或咀嚼,因为她从祖母那里学到了这一点。这种食欲的唤起参与了文本对以女性为中心的性感的描述,与男性的快感分离。莫拉写道:“早晨,当我洗完澡在腿上擦面霜时,我想起了我的家人,她们在我心里的房间里,每个人都在双手之间擦面霜,然后在腿上擦面霜,享受着安静和抚摸的感觉,抚慰着我们自己的肉体。”(莫拉,2008a,第181页)。这种对父权规范的破坏也是通过重新审视历史上被用来促进压抑女性欲望的神话和叙事来实现的。其中一个故事以圣母玛利亚为中心,她作为夏娃的解药,体现了女性应该拒绝满足自己欲望的期望。在奇卡诺文化背景下,圣母玛利亚被翻译为“瓜达卢佩圣母”,是女性牺牲、奉献和顺从的象征,女权主义作家桑德拉·西斯内罗斯解释道:
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
13
期刊介绍: The Musical Quarterly, founded in 1915 by Oscar Sonneck, has long been cited as the premier scholarly musical journal in the United States. Over the years it has published the writings of many important composers and musicologists, including Aaron Copland, Arnold Schoenberg, Marc Blitzstein, Henry Cowell, and Camille Saint-Saens. The journal focuses on the merging areas in scholarship where much of the challenging new work in the study of music is being produced.
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