L'ENCHAÎNEMENT THÉMATIQUE ET LES FORMES DE LA PHRASE DANS LA DESCRIPTION LITTÉRAIRE

IF 0.1 0 LANGUAGE & LINGUISTICS Linguistica Pragensia Pub Date : 2008-01-01 DOI:10.2478/V10017-007-0013-0
Hana Loucká
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引用次数: 1

Abstract

In a description, the different parts of a "tout" object are introduced in a text via identification that denotes them as presupposed already known elements standing in a thematic position. The theme is derived from an associative anaphor and transposed by means of a definite nominal unit. The qualities and characteristics attributed to the parts of a "tout" object stand in a rhematic position constituted by the subject complement of the thematic subject. In opening constructions, the individual parts of an "ensemble" object introduced in a text as new elements (therefore standing in a rhematic position) by eans of identification are transposed by an indefinite nominal unit. The individual parts of an "ensemble" object introduced in a text as new rhematic elements can be considered a "linear discovery". They are the result of a successive linear theme mechanism. The phrasal forms attaining the "linear discovery" correspond to the syntactic thematisation of dislocated adverbials or to the scheme S-V-Od/adverbial. None of these procedures represent a unique type constrained to the description of a "tout/ensemble" object.
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在描述中,“兜售”对象的不同部分通过识别在文本中引入,表明它们是预设的已经知道的元素,处于主题位置。主位是由一个联想隐喻衍生而来,并通过一个明确的名义单位进行转位。“吹捧”对象的各部分所具有的性质和特征处于由主位主语的主语补语构成的修辞位置。在开放结构中,一个“整体”对象的各个部分作为新元素(因此处于修辞位置)通过识别被引入文本,被一个不确定的名义单位置换。在文本中引入的“整体”对象的单个部分作为新的语义元素可以被视为“线性发现”。它们是连续线性主题机制的结果。获得“线性发现”的短语形式对应于错位状语的句法主题化或S-V-Od/状语图式。这些过程中没有一个表示受限于“输出/集成”对象描述的唯一类型。
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来源期刊
Linguistica Pragensia
Linguistica Pragensia LANGUAGE & LINGUISTICS-
CiteScore
0.30
自引率
0.00%
发文量
8
审稿时长
30 weeks
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