And Introducing. . . The Female Director: Documentaries about Women Filmmakers as Feminist Activism

Kelly Hankin
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引用次数: 16

Abstract

Statistical and anecdotal evidence suggest that, in both the Hollywood and commercial independent film industries, female directors are not given the same support and opportunities as their male counterparts. As a result, there are a number of activist projects and organizations working to challenge and raise awareness about this inequity. This essay examines the role a new genre of documentary plays in this larger activist endeavor. Beginning in the 1990s, several documentaries emerged featuring women filmmakers of varying national, racial, and sexual identities who work in a range of film production practices. I argue that by privileging the voices and experiences of these diverse female directors—something our own feminist film scholarship tends not to do—these documentaries function as important activist texts in women's studies and media studies classrooms. Because most undergraduates are woefully ignorant about the films of female directors, let alone the avenues to and barriers against filmmaking that exist for women, these documentaries play a crucial activist role in raising awareness about the social and cultural forces shaping women directors and their films. Moreover, by modeling a spectrum of "do-it-yourself" possibilities, these documentaries encourage female students to imagine their own potential as filmmakers.
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并介绍……《女导演:女性电影人作为女权主义者的纪录片》
统计数据和轶事证据表明,无论是在好莱坞还是商业独立电影行业,女性导演都没有获得与男性同行相同的支持和机会。因此,有许多活动项目和组织致力于挑战和提高对这种不平等的认识。本文探讨了一种新的纪录片类型在这一更大的活动家努力中所起的作用。从20世纪90年代开始,出现了几部纪录片,讲述了不同国家、种族和性别身份的女性电影人在一系列电影制作实践中的工作。我认为,通过赋予这些不同女性导演的声音和经历以特权——我们自己的女权主义电影学术往往不会这么做——这些纪录片在女性研究和媒体研究的课堂上发挥了重要的积极文本作用。由于大多数大学生对女性导演的电影一无所知,更不用说对女性电影制作的途径和障碍了,这些纪录片在提高人们对塑造女性导演及其电影的社会和文化力量的认识方面发挥了至关重要的积极作用。此外,通过塑造一系列“自己动手”的可能性,这些纪录片鼓励女学生想象自己作为电影人的潜力。
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