Open Wounds: Holocaust Theater and the Legacy of George Tabori. Edited by Martin Kagel and David Z. Saltz. Ann Arbor: University of Michigan Press, 2022. 208 pages + 4 images. $85.00 hardcover, $69.95 e-book.

IF 0.1 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Monatshefte Pub Date : 2023-01-01 DOI:10.3368/m.115.1.133
Daniel H. Magilow
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Abstract

chapter concerns the degree to which the two schools of thought made explicit reference to each other. While Thompson argues mutual familiarity with each other’s texts, the reader is occasionally left wondering how sustained (and mutual) such exchange was between Black Power thought and Critical Theory. Davis, in this context, takes on an exceptional role, since Adorno served as her advisor and she maintained a strong relationship with Marcuse. Driven—or even provoked—by Adorno, Davis goes beyond the Frankfurt School itself to take on Hegel’s teleological view of dialectics and history. She also grapples with Arendt, using “Hegel to condemn Arendt’s reading of Greek political thought on freedom and slavery” (136). It is in this final chapter that Thompson’s own voice becomes more apparent, arguing against readings that Davis downplayed theory for activism. Thompson corrects such claims, instead showing how her activism is borne out of this reversal of Hegel’s dialectics. With Phenomenal Blackness, Thompson condenses what seems like a scattered discourse into a coherent narrative about Critical Theory’s impact on Black Power thought. The chapter outlining Davis’s more sustained interaction with Critical Theory is the most intriguing, but the book as a whole points out that her engagement was also preceded by others. One overarching theme that Thompson could explore more is the extent to which Critical Theory might have, in turn, been influenced by or responded to Black Power theory. But Phenomenal Blackness will be of interest to scholars and historians of African American studies as a discipline, social theorists in general, and of course, scholars of Critical Theory, Black Power intellectual history, and the Frankfurt School. Thompson has shed light on a rich intellectual exchange that has hitherto been overlooked, and readers will surely be curious to see future work on the topic.
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《开放的伤口:大屠杀剧院和乔治·塔波里的遗产》。马丁·卡格尔和大卫·z·萨尔茨编辑。安娜堡:密歇根大学出版社,2022。208页+ 4张图片。精装本85美元,电子书69.95美元。
这一章讨论了两派思想在多大程度上彼此明确地相互参照。虽然汤普森认为彼此的文本都很熟悉,但读者偶尔会想知道黑人权力思想和批判理论之间的这种交流是如何持续的(和相互的)。在这种情况下,戴维斯扮演了一个特殊的角色,因为阿多诺是她的顾问,她与马尔库塞保持着牢固的关系。在阿多诺的推动下,戴维斯超越了法兰克福学派,接受了黑格尔关于辩证法和历史的目的论观点。她还与阿伦特作了斗争,用“黑格尔来谴责阿伦特对希腊自由和奴隶制政治思想的解读”(136页)。正是在这最后一章中,汤普森自己的声音变得更加明显,他反对戴维斯为行动主义淡化理论的解读。汤普森纠正了这种说法,相反,她展示了她的行动主义是如何从黑格尔辩证法的这种逆转中产生的。在《现象黑人》一书中,汤普森将看似零散的话语浓缩成一个关于批判理论对黑人权力思想影响的连贯叙述。概述戴维斯与批判理论更持久的互动的那一章是最有趣的,但这本书整体上指出,在她参与之前也有其他人。汤普森可以进一步探讨的一个重要主题是,批判理论在多大程度上受到了黑人权力理论的影响或对其作出了回应。但是现象黑人会引起非裔美国人研究的学者和历史学家,一般的社会理论家,当然还有批判理论,黑人权力思想史和法兰克福学派的学者的兴趣。汤普森揭示了迄今为止被忽视的丰富的思想交流,读者肯定会好奇地看到未来关于这个主题的作品。
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Monatshefte
Monatshefte LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
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