Against Modernity: the concepts of Emil Staiger, Michail Lifshitz and Hans Sedlmayr. Part 1

A. Angelov
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Abstract

Objectives of the paper: 1) To analyse Emil Staiger’s theoretical position and to reveal the reason I consider it anti-modern; 2) To compare his position to the one maintained by some ideologists of socialist realism in the same decade, and to outline similarities and differences. I pay more attention to the antimodernist and concept of Michail Al. Lifshitz; 3) To ground my opinion that the ideology of socialist realism in the 1960-ies is also anti-modern; 4) To expand the analysis with a brief introduction of Hans Sedlmayr’s attitude, and to explain why it is anti-modern as well; 5) To give an answer to the question what the social function of the anti-modern attitude is. I use a critical comparative approach to the original sources, asking for the social functions of the analysed concepts. The paper is a part of a monograph in progress on the works of Emil Staiger and on some anti-modern concepts in the reflexion on literature and on visual art in West and in the East of Europe in the 20th century.
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反对现代性:Emil Staiger, Michail Lifshitz和Hans Sedlmayr的概念。第1部分
本文的目的:1)分析斯塔格的理论立场,揭示我认为其反现代的原因;(2)将他的观点与同时期一些社会主义现实主义思想家的观点进行比较,并找出两者的异同。我更关注Michail Al. Lifshitz的反现代主义和概念;3)使我认为20世纪60年代的社会主义现实主义意识形态也是反现代的;4)通过简要介绍汉斯·塞德迈尔的态度来展开分析,并解释为什么它也是反现代的;5)回答反现代态度的社会功能是什么。我使用一种批判的比较方法对原始来源,要求分析概念的社会功能。这篇论文是一本正在进行的专著的一部分,该专著是关于埃米尔·斯塔格的作品以及20世纪西欧和东欧对文学和视觉艺术反思中的一些反现代概念。
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