“Iris” (2001) by Richard Eyre: Film Reception Specificity of the Writer’s Biography

A. Matiychak, N. Nikoriak
{"title":"“Iris” (2001) by Richard Eyre: Film Reception Specificity of the Writer’s Biography","authors":"A. Matiychak, N. Nikoriak","doi":"10.31861/pytlit2022.105.094","DOIUrl":null,"url":null,"abstract":"The article analyses the film reception issues of I. Murdoch’s biography in epistemological and historiographical perspectives. Due to the productive interaction of different types of biographical works, the mechanism of presentation / perception / cognition is mainly realized through references and reflection as an individual ability to supplement the “truth” of factual biographical material with other relations such as “interpretability”, “realizability” that form the so-called cognitive complex related to the perception peculiarities of biopic both as a separate genre and in the context of other biographical genres: memoirs, literary biography, etc. In the global context of biopics about writers, the film “Iris” (2001), directed by Richard Eyre, is perceived quite ambiguously. This receptive „ambiguity” is explained by the fact that R. Eyre deviates to some extent from the established canons of the biopic genre, building his plot on the contrast of two planes of relations between famous intellectuals – Bayley and Murdoch – as young, talented, charismatic, open-minded in her relationships Iris and as an elderly woman suffering from an incurable disease. Since it is almost impossible to cover her life in all its manifestations and activities in one perspective, the director resorts to intermedial dimensions and techniques of presenting biographical material. Relying on the documentary basis and memoirs of Murdoch’s husband John Bayley (“Elegy of Iris” and “Iris and Her Friends”), due to chronotopic shifts, television biography in the biopic, excerpts from Murdoch’s lectures, emphasizing her quotes scattered in the film, R. Eyre frames his model of Murdoch’s biography. This strategy allowed him, albeit fragmentarily, to show one of the world's smartest women in various guises: as a writer, as a philosopher and as an ordinary person, recreating the happiest and the most tragic fragments of her life, especially during the progression of Alzheimer’s disease.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Pitanna Literaturoznavstva","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31861/pytlit2022.105.094","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The article analyses the film reception issues of I. Murdoch’s biography in epistemological and historiographical perspectives. Due to the productive interaction of different types of biographical works, the mechanism of presentation / perception / cognition is mainly realized through references and reflection as an individual ability to supplement the “truth” of factual biographical material with other relations such as “interpretability”, “realizability” that form the so-called cognitive complex related to the perception peculiarities of biopic both as a separate genre and in the context of other biographical genres: memoirs, literary biography, etc. In the global context of biopics about writers, the film “Iris” (2001), directed by Richard Eyre, is perceived quite ambiguously. This receptive „ambiguity” is explained by the fact that R. Eyre deviates to some extent from the established canons of the biopic genre, building his plot on the contrast of two planes of relations between famous intellectuals – Bayley and Murdoch – as young, talented, charismatic, open-minded in her relationships Iris and as an elderly woman suffering from an incurable disease. Since it is almost impossible to cover her life in all its manifestations and activities in one perspective, the director resorts to intermedial dimensions and techniques of presenting biographical material. Relying on the documentary basis and memoirs of Murdoch’s husband John Bayley (“Elegy of Iris” and “Iris and Her Friends”), due to chronotopic shifts, television biography in the biopic, excerpts from Murdoch’s lectures, emphasizing her quotes scattered in the film, R. Eyre frames his model of Murdoch’s biography. This strategy allowed him, albeit fragmentarily, to show one of the world's smartest women in various guises: as a writer, as a philosopher and as an ordinary person, recreating the happiest and the most tragic fragments of her life, especially during the progression of Alzheimer’s disease.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
理查德·爱的《虹膜》(2001):作家传记的电影接受特异性
本文从认识论和史学的角度分析了默多克传记的电影接受问题。由于不同类型的传记作品之间的生产性互动,呈现/感知/认知的机制主要是通过参考和反思这一个体能力来实现的,以“可解释性”、“可实现性”等其他关系来补充事实传记材料的“真实性”,这些关系形成了与传记作为单独类型和其他传记类型的感知特性相关的所谓认知情结。回忆录、文学传记等。在作家传记片的全球背景下,理查德·爱(Richard Eyre)导演的电影《虹膜》(Iris, 2001)给人的印象相当模糊。R. Eyre在某种程度上偏离了传记片类型的既定标准,将他的情节建立在著名知识分子——贝利和默多克——年轻、有才华、有魅力、思想开放的爱瑞斯和身患绝症的老年妇女之间的两个层面的关系对比上,从而解释了这种可接受的“模棱两可”。由于几乎不可能在一个视角中涵盖她的所有表现和活动,导演诉诸于呈现传记材料的中间维度和技术。R. Eyre以默多克的丈夫约翰·贝利(John Bayley)的回忆录(《艾瑞斯的挽歌》(Elegy of Iris)和《艾瑞斯和她的朋友们》(Iris and Her Friends)的纪录片为基础,由于时间的变化,传记片中的电视传记,摘录默多克的演讲,强调她在电影中散落的语录,从而构建了默多克传记的模型。这一策略让他以作家、哲学家和普通人的身份,零碎地展现了这位世界上最聪明的女性之一,重现了她生命中最快乐和最悲惨的片段,尤其是在阿尔茨海默病恶化期间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
审稿时长
12 weeks
期刊最新文献
Prohibited Literature A Man-Paradox in the World of Paradoxes Paul Celan’s Collection of Poetry “Poppy and Destiny”: the Story of a Literary Breakthrough Characters of Fairy Tales, Fantasy and Magical Food in Cooking Reality Shows: The Intersection of Literary Culture and Media Communications Destinies of the State and its Writers in History. Dimensions of Their Tragedy and Success in Lithuanian Literature
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1