Japanese Modernization Prints Collection (Yokohama-e and Kaika-e) in the Náprstek Museum

Adéla Tůmová
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Abstract

This article deals with the collection of prints Yokohama-e and kaika-e, which are part of the collection of woodblock prints in the Náprstek Museum. The Yokohama-e and kaika-e woodblock prints were created in the second half of the 19th century in response to Japan’s changing politics, the arrival of foreigners, and the modernization of the country, thus capturing both the first introduction to Western innovations and the manner in which these subjects were presented to the public in Japan. The modernization prints in the Náprstek Museum have not yet been evaluated by scholars; the aim of this article is to provide information concerning this part of the woodblock print collection – the artists of the prints, the subjects depicted, and the question of the donors through whose agency the prints came into the museum’s possession.
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Náprstek博物馆的日本近代化版画收藏(Yokohama-e和Kaika-e)
本文介绍的是Náprstek博物馆木版版画收藏中的版画《横滨绘》和《kaika-e》。横滨绘(Yokohama-e)和kaika-e木版画创作于19世纪下半叶,以应对日本不断变化的政治、外国人的到来和国家的现代化,从而捕捉到了西方创新的首次引入,以及这些主题在日本向公众展示的方式。Náprstek博物馆的现代化版画尚未得到学者的评价;本文的目的是提供有关这部分木版版画收藏的信息——版画的艺术家,描绘的主题,以及通过谁的机构将版画进入博物馆的捐赠者的问题。
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来源期刊
Annals of the Naprstek Museum
Annals of the Naprstek Museum Arts and Humanities-History
CiteScore
0.40
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1
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