{"title":"De la cotidianidad a la ritualidad de las calabazas durante el período intermedio tardío en el desierto de Atacama, Chile","authors":"Cristián Ouvares Acuña","doi":"10.4067/s0718-68942021000200045","DOIUrl":null,"url":null,"abstract":"the gourds from attributed to the Late Intermediate Period (1000-1430 ad). The analysis is carried out from a mate-rialistic archaeosemiotic approach, relating Peircean semiotics to categories of the concrete society. A division is identified between the uses of the gourds and forms of sociability in daily-domestic and magical-religious ritual life, and the gourds are conceived as iconographic media that reflect the forms of social consciousness of a dominant group. It is concluded that these funeral objects and their signs not only represent prestige and distinction goods, but also manifest an ideological function regarding power relations, linked to the consumption of fermented beverages and entheogenic substances, and to altered states of consciousness.","PeriodicalId":44215,"journal":{"name":"Boletin del Museo Chileno de Arte Precolombino","volume":"1 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Boletin del Museo Chileno de Arte Precolombino","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4067/s0718-68942021000200045","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
the gourds from attributed to the Late Intermediate Period (1000-1430 ad). The analysis is carried out from a mate-rialistic archaeosemiotic approach, relating Peircean semiotics to categories of the concrete society. A division is identified between the uses of the gourds and forms of sociability in daily-domestic and magical-religious ritual life, and the gourds are conceived as iconographic media that reflect the forms of social consciousness of a dominant group. It is concluded that these funeral objects and their signs not only represent prestige and distinction goods, but also manifest an ideological function regarding power relations, linked to the consumption of fermented beverages and entheogenic substances, and to altered states of consciousness.
期刊介绍:
The Boletín del Museo Chileno de Arte Precolombino is a biannual journal founded in 1985 with the central objective of publishing articles, essays and investigative reports in Spanish and English on topics of indigenous American art and symbolism, with a special focus on pre-Contact times. It is the only specialized journal of its kind in Latin America today. The journal welcomes articles, essays and investigative reports on topics related to archeology, anthropology, rock art, visual art, history, architecture, cognition, cosmology, ecology, economics, ethnography, ideology, musicology, technology and related disciplines. In both content and graphics, submissions must have a clear and justifiable link to the journal’s central objective. Submissions that combine two or more of the above-mentioned themes are especially welcome.