{"title":"Alegorías cinematográficas de la conquista de América. Del apocalipsis de los imperios precolombinos al alba del colonialismo imperial","authors":"Victor lturregui-Motiloa, Ignacio Gaztaka-Egukiza","doi":"10.4067/s0718-68942021000200151","DOIUrl":null,"url":null,"abstract":"perspective. It is concluded that in both continents the cultural contexts of precolonial and postcolonial Mesoamerica are used in these films to shape ideological discourses, which are more related to their contemporary reality rather than to the past times they depict.","PeriodicalId":44215,"journal":{"name":"Boletin del Museo Chileno de Arte Precolombino","volume":"1 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Boletin del Museo Chileno de Arte Precolombino","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4067/s0718-68942021000200151","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
perspective. It is concluded that in both continents the cultural contexts of precolonial and postcolonial Mesoamerica are used in these films to shape ideological discourses, which are more related to their contemporary reality rather than to the past times they depict.
期刊介绍：
The Boletín del Museo Chileno de Arte Precolombino is a biannual journal founded in 1985 with the central objective of publishing articles, essays and investigative reports in Spanish and English on topics of indigenous American art and symbolism, with a special focus on pre-Contact times. It is the only specialized journal of its kind in Latin America today. The journal welcomes articles, essays and investigative reports on topics related to archeology, anthropology, rock art, visual art, history, architecture, cognition, cosmology, ecology, economics, ethnography, ideology, musicology, technology and related disciplines. In both content and graphics, submissions must have a clear and justifiable link to the journal’s central objective. Submissions that combine two or more of the above-mentioned themes are especially welcome.
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