La ‘faille’ chez Paul Ricœur. De l’identité symbolique et narrative, à l’identité gestuelle et langagière

IF 0.1 Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Etudes Ricoeuriennes-Ricoeur Studies Pub Date : 2019-02-15 DOI:10.5195/errs.2018.444
G. Causse
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Abstract

In Fallible man, Ricœur discovers a faille (fault, breach, rift) in the heart of man. Due to this faille, man is fragile: he has to mediate between himself and the world. This mediation puts man at risk of losing himself. Thus, fragile man is also fallible. In Oneself as Another, Ricœur returns to this faille that passes through the heart of the self, between idem and ipse, giving access to the alter. This image, the faille, guides Ricœur in each of these two texts. It gives us access to their continuity but also to the gap that separates one from the other. But if this image has inspired Ricœur, it also gives us the opportunity to criticize his work. Re-reading the Symbolism of Evil, we will highlight a dimension of man little explored by Ricœur and that our current situation pushes us to rediscover: the body and gesture.
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保罗的“失败”Ricœur。从象征和叙事身份到手势和语言身份
在《易犯错的人》中,Ricœur发现了人类内心的失败(错误、破裂、裂痕)。由于这种失败,人是脆弱的:他必须在自己和世界之间进行调解。这种调解使人有失去自我的危险。因此,脆弱的人也容易犯错。在《作为另一个人的自己》中,Ricœur回到了这个失败,它穿过自我的心脏,在idem和ipse之间,提供了通往圣坛的途径。这个图像,也就是失败,在这两篇文章中引导Ricœur。它让我们看到了它们的连续性,也让我们看到了它们之间的差距。但如果这张照片启发了Ricœur,它也给了我们批评他作品的机会。重读《邪恶的象征》,我们将强调Ricœur很少探索的人的一个维度,而我们当前的处境促使我们重新发现:身体和手势。
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来源期刊
Etudes Ricoeuriennes-Ricoeur Studies
Etudes Ricoeuriennes-Ricoeur Studies SOCIAL SCIENCES, INTERDISCIPLINARY-
自引率
0.00%
发文量
11
审稿时长
12 weeks
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