The Excellence Award at the Fonds Ricœur’s Summer Workshop 2021 - “Ricœur rhétorique. The Missed Encounter with Chaïm Perelman in The Rule of Metaphor”

IF 0.1 Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Etudes Ricoeuriennes-Ricoeur Studies Pub Date : 2021-12-15 DOI:10.5195/errs.2021.575
B. Scott
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Abstract

This paper argues that Ricœur’s philosophy operates on the basis of a more expansive conception of rhetoric than it first appears. To show this, I reread The Rule of Metaphor through the “new rhetoric” of Chaïm Perelman. First, I survey Ricœur’s understanding of rhetoric in the 1950s and 60s. Second, I examine Ricœur’s relation to Perelman within the context of the broader “rhetorical turn” of the 1970s. After examining their respective positions, I argue that Ricœur fails to appreciate the full significance of Perelman’s conception of audience. In doing so, I draw attention to the central role that Ricœur himself ascribes to the audience or reader in the “work of meaning.” I conclude by proposing that the rhetorical triad of logos/ethos/pathos may serve as a conceptual matrix with which the rhetorical aspects of Ricœur’s philosophy can be interpreted.
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Fonds Ricœur 2021年夏季工作坊优秀奖-“Ricœur rh torique”。《隐喻的规则》中与Chaïm佩雷尔曼的错过
本文认为Ricœur的哲学是建立在一个比它最初出现的更广泛的修辞学概念的基础上的。为了说明这一点,我通过Chaïm佩雷尔曼的“新修辞学”重新阅读了隐喻的规则。首先,我考察了Ricœur在20世纪五六十年代对修辞学的理解。其次,我在20世纪70年代更广泛的“修辞转向”背景下研究Ricœur与佩雷尔曼的关系。在考察了他们各自的立场之后,我认为Ricœur未能充分理解佩雷尔曼受众概念的全部意义。在这样做的过程中,我提请注意Ricœur自己在“意义的工作”中赋予观众或读者的中心作用。最后,我提出逻各斯/精神/悲情的修辞三位一体可以作为一个概念矩阵,用它可以解释Ricœur哲学的修辞方面。
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来源期刊
Etudes Ricoeuriennes-Ricoeur Studies
Etudes Ricoeuriennes-Ricoeur Studies SOCIAL SCIENCES, INTERDISCIPLINARY-
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发文量
11
审稿时长
12 weeks
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