Freud, Moïse et Religion. Une lecture de Paul Ricœur

IF 0.1 Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Etudes Ricoeuriennes-Ricoeur Studies Pub Date : 2022-12-15 DOI:10.5195/errs.2022.600
Azadeh Thiriez-Arjangi
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Abstract

Freud places the triad of art, morality and religion at the heart of a cultural sphere that remains determined by the topical-economic model. Within this framework that this article examines Ricœur’s interpretation of religion in Freud. Through Ricœur’s writings on psychoanalysis, it presents an analysis of the figure of Moses in Freud before evoking the Freudian conception of religion in the economic theory of culture. The first part of the article notes the difficult articulation between the two figures of Moses in Freud’s writings: Michelangelo’s Moses and that of Moses and monotheism, according to Ricœur’s interpretation. In a second step, the article returns to the different themes addressed by Ricœur in relation to the question of religion in Freud’s thought, such as neurosis, repression, guilt and illusion.
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弗洛伊德、摩西和宗教。保罗·里科的阅读
弗洛伊德将艺术、道德和宗教的三位一体置于文化领域的核心,而文化领域仍由主题经济模式决定。在这个框架内,本文考察Ricœur对弗洛伊德宗教的解释。通过Ricœur关于精神分析的著作,在唤起文化经济理论中弗洛伊德的宗教观念之前,对弗洛伊德的摩西形象进行了分析。根据Ricœur的解释,文章的第一部分指出了弗洛伊德作品中摩西的两个形象之间的困难衔接:米开朗基罗的摩西和摩西与一神教的摩西。在第二步中,文章回到Ricœur处理的与弗洛伊德思想中的宗教问题有关的不同主题,如神经症,压抑,内疚和幻觉。
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来源期刊
Etudes Ricoeuriennes-Ricoeur Studies
Etudes Ricoeuriennes-Ricoeur Studies SOCIAL SCIENCES, INTERDISCIPLINARY-
自引率
0.00%
发文量
11
审稿时长
12 weeks
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