Up Close and Personal: Feeling the Past at Urban Archaeological Sites

IF 0.5 Q1 HISTORY Public History Review Pub Date : 2016-12-30 DOI:10.5130/PHRJ.V23I0.5332
Tracy Ireland
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引用次数: 3

Abstract

In this article I focus on the emotional, sensory and aesthetic affordances of urban archaeological remains conserved in situ and explore what these ruins ‘do’ in the context of the layered urban fabric of the city. I am concerned with a particular category of archaeological remains: those that illustrate the colonial history of settler nations, exploring examples in Sydney and Montreal. Using Sara Ahmed’s concept of ‘affective economies’ – where emotions work to stick things together and align individuals with communities – I tease out some of the distinctive aspects of this particular form of social/emotional/material entanglement, that appears to create stable objects of memory and identity from a much more contingent and complex matrix of politics, social structures, and the more-than-human materiality of the city. I argue that an understanding of the affective qualities of ruins and archaeological traces, and of how people feel heritage and the past through aesthetic and sensuous experiences of materiality, authenticity, locality and identity, bring us closer to understanding how heritage works.
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近距离和个人:在城市考古遗址感受过去
在这篇文章中,我将重点关注保存在原地的城市考古遗迹的情感、感官和美学启示,并探索这些遗址在城市分层城市结构的背景下“做”什么。我关注的是一类特殊的考古遗迹:那些说明移民国家殖民历史的遗迹,在悉尼和蒙特利尔探索例子。利用萨拉·艾哈迈德的“情感经济”概念——情感将事物粘合在一起,使个人与社区保持一致——我梳理出这种特殊形式的社会/情感/物质纠缠的一些独特方面,它似乎从政治、社会结构和城市中超越人类的物质性的更偶然和复杂的矩阵中创造出稳定的记忆和身份对象。我认为,对废墟和考古痕迹的情感品质的理解,以及人们如何通过物质性、真实性、地方性和身份的审美和感官体验来感受遗产和过去的理解,使我们更接近于理解遗产是如何运作的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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审稿时长
52 weeks
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