{"title":"Rewriting under Ideological Pressure: A. Fadeyev’s The Young Guard","authors":"Olga Grădinaru","doi":"10.51391/trva.2022.06-07.06","DOIUrl":null,"url":null,"abstract":"The study analyses A. Fadeyev’s novel The Young Guard (1946, 1951), a political command in Stalinist era, inspired by historical events of the Second World War. Although included in the Socialist Realism canon, the novel had a difficult destiny, as it was rewritten under A. Zhdanov’s close assistance after Stalin’s critical reaction to the 1947 film adaptation. The novel may be regarded as a victim of the Soviet myth-making machine and a case of ideological fictionalization, imbued with the main Stalinist motives. The article unveils the tension between the initial creative project inspired by the anti-fascist movement in Krasnodon (1946) and the imposed party direction reflected in the second edition of the novel (1951), which became the official version of the actual events.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Transilvania","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.51391/trva.2022.06-07.06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The study analyses A. Fadeyev’s novel The Young Guard (1946, 1951), a political command in Stalinist era, inspired by historical events of the Second World War. Although included in the Socialist Realism canon, the novel had a difficult destiny, as it was rewritten under A. Zhdanov’s close assistance after Stalin’s critical reaction to the 1947 film adaptation. The novel may be regarded as a victim of the Soviet myth-making machine and a case of ideological fictionalization, imbued with the main Stalinist motives. The article unveils the tension between the initial creative project inspired by the anti-fascist movement in Krasnodon (1946) and the imposed party direction reflected in the second edition of the novel (1951), which became the official version of the actual events.