Matei Vișniec. Spațiul românesc al dramaturgiei postdecembriste – teatrul postdramatic

Q1 Arts and Humanities Revista Transilvania Pub Date : 2023-01-01 DOI:10.51391/trva.2023.05-06.15
Ioana Toloargă
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Abstract

The present paper proposes the analysis of the dramatic work of Matei Vișniec – a Romanian poet and prose writer, built and validated by the French center as an internationally exportable playwriter, by following the aesthetic-political relationship. I question, above all, the reasons why the parabolic formula is the favorite in the author’s dramaturgy – its causes and effects, in relation to the ideological level and the thematization of the trauma of the communist (/totalitarian) regime. The thesis of my article is that, behind the parable (which implies a form of mediation) and the discursive metaphorism, respectively an apparent aesthetic gratuity, there is a political thesis that can be reinterpreted, reframed by both target audiences: Eastern and Western. Thus, the playwright built at the center and imported by the Romanian periphery accumulates symbolic capital from both territories, defined as a successful as a transnational author.
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Matei Vișniec。罗马尼亚后12月戏剧空间-后戏剧剧院
本文拟从美学与政治的关系出发,对罗马尼亚诗人、散文家马泰Vișniec的戏剧作品进行分析。马泰是法国中心作为国际输出剧作家所塑造和验证的。最重要的是,我质疑为什么抛物线公式在作者的戏剧中最受欢迎——它的因果关系,与意识形态层面和共产主义(/极权主义)政权创伤的主题化有关。我这篇文章的论点是,在寓言(暗示着一种调解形式)和话语隐喻(分别是一种明显的审美赠予)背后,有一种政治论点,可以被东方和西方的目标受众重新解释和重构。因此,这位在罗马尼亚中心建立起来、在罗马尼亚外围输入的剧作家积累了来自这两个地区的象征资本,被定义为成功的跨国作家。
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Revista Transilvania
Revista Transilvania Arts and Humanities-Literature and Literary Theory
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