{"title":"Working Girl Blues: The Life and Music of Hazel Dickens","authors":"Philippe Nusbaum","doi":"10.5860/choice.46-0793","DOIUrl":null,"url":null,"abstract":"Working Girl Blues: The Life and Music of Hazel Dickens. By Hazel Dickens and Bill C. Malone. (Urbana: University of Illinois Press, 2008. Pp. ix + 102, acknowledgements, biography, songs and memories, discography, index, illustrations. $ 17.95 paper.)Working Girl Blues is a fine book that documents the connection between a bluegrass musician's life and her songs. Hazel Dickens is a songwriter and bluegrass musician whose work has been widely performed and recorded. Bill C. Malone is a scholar and musician with important books to his credit: Country Music USA and Don't Get Above your RaisinCountry Music and the Southern Working Class.The text of Working Girl Blues is divided into two major sections. The first thirty pages are devoted to Hazel's biography, written by Bill C. Malone. In the biographical section, readers learn about her West Virginia family, their poverty, and search for better economic opportunities, Hazel's loves, and the struggles of a female bluegrass musician in a field dominated by good old boys. The final fifty-five or so pages contain the lyrics of Hazel's compositions, with Hazel's commentary about each song. She tells of the inspirations for the songs, her artistic struggles, and, in general, the experiences the songs reflect. The lock between the two sections is effective. In her section, Dickens refers to themes of her life that Malone touches on, but fills out the narrative with additional information. She tells it in a way that seems close to her speaking voice, and it makes the writing come to life.Many books about bluegrass assume that an artist's song selections or compositions somehow reflect the artist's attitude or experience, or that it somehow represents a shared community aesthetic. In Working Girl Blues, the connection between lived experience and composition is one of the main thrusts of the book. For example, Malone's biography tells that Hazel was a sickly child who, at about the age of three months, would not drink milk. The Mercer County, WV, doctor pronounced he'd done all he could do to treat Hazel's problem. Hazel's mother, Sarah, was a shy woman who rarely left her home place. However, despite her shyness, Sarah carried Hazel to the nearest big place to see a baby doctor. There she received the help that pulled Hazel through. Readers eventually learn how this episode in Hazel's early life inspired two of her songs: \"Mama's Hand\" and \"Carry Me Across the Mountain.\" Hazel comments on the special bond between herself and her mother, and the lyrics of these songs amply reinforce the point.Showing how new songs reflect life is important, because it demonstrates how a traditional songwriter combines a handed-down musical system with experience to create new work that fits a current scene. Working Girl Blues demonstrates that bluegrass is more than a collection of handed-down musical ideas that are assembled into pieces, but a vibrant musical form that artists shape to the circumstances of their lives.Working Girl Blues also addresses Appalachian migration for reasons relating to employment. …","PeriodicalId":44624,"journal":{"name":"WESTERN FOLKLORE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2011-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"WESTERN FOLKLORE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5860/choice.46-0793","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FOLKLORE","Score":null,"Total":0}
引用次数: 0
Abstract
Working Girl Blues: The Life and Music of Hazel Dickens. By Hazel Dickens and Bill C. Malone. (Urbana: University of Illinois Press, 2008. Pp. ix + 102, acknowledgements, biography, songs and memories, discography, index, illustrations. $ 17.95 paper.)Working Girl Blues is a fine book that documents the connection between a bluegrass musician's life and her songs. Hazel Dickens is a songwriter and bluegrass musician whose work has been widely performed and recorded. Bill C. Malone is a scholar and musician with important books to his credit: Country Music USA and Don't Get Above your RaisinCountry Music and the Southern Working Class.The text of Working Girl Blues is divided into two major sections. The first thirty pages are devoted to Hazel's biography, written by Bill C. Malone. In the biographical section, readers learn about her West Virginia family, their poverty, and search for better economic opportunities, Hazel's loves, and the struggles of a female bluegrass musician in a field dominated by good old boys. The final fifty-five or so pages contain the lyrics of Hazel's compositions, with Hazel's commentary about each song. She tells of the inspirations for the songs, her artistic struggles, and, in general, the experiences the songs reflect. The lock between the two sections is effective. In her section, Dickens refers to themes of her life that Malone touches on, but fills out the narrative with additional information. She tells it in a way that seems close to her speaking voice, and it makes the writing come to life.Many books about bluegrass assume that an artist's song selections or compositions somehow reflect the artist's attitude or experience, or that it somehow represents a shared community aesthetic. In Working Girl Blues, the connection between lived experience and composition is one of the main thrusts of the book. For example, Malone's biography tells that Hazel was a sickly child who, at about the age of three months, would not drink milk. The Mercer County, WV, doctor pronounced he'd done all he could do to treat Hazel's problem. Hazel's mother, Sarah, was a shy woman who rarely left her home place. However, despite her shyness, Sarah carried Hazel to the nearest big place to see a baby doctor. There she received the help that pulled Hazel through. Readers eventually learn how this episode in Hazel's early life inspired two of her songs: "Mama's Hand" and "Carry Me Across the Mountain." Hazel comments on the special bond between herself and her mother, and the lyrics of these songs amply reinforce the point.Showing how new songs reflect life is important, because it demonstrates how a traditional songwriter combines a handed-down musical system with experience to create new work that fits a current scene. Working Girl Blues demonstrates that bluegrass is more than a collection of handed-down musical ideas that are assembled into pieces, but a vibrant musical form that artists shape to the circumstances of their lives.Working Girl Blues also addresses Appalachian migration for reasons relating to employment. …
《职业女孩蓝调:黑兹尔·狄更斯的生活与音乐》。作者:黑兹尔·狄更斯,比尔·c·马龙。厄巴纳:伊利诺伊大学出版社,2008。Pp. ix + 102,致谢,传记,歌曲和记忆,唱片,索引,插图。纸本17.95美元。)《工作女孩蓝调》是一本优秀的书,记录了一位蓝草音乐家的生活和她的歌曲之间的联系。黑兹尔·狄更斯是一位作曲家和蓝草音乐家,她的作品被广泛演出和录制。比尔·c·马龙是一位学者和音乐家,著有《美国乡村音乐》和《不要超越你的葡萄干》,《乡村音乐和南方工人阶级》。《工作女孩蓝调》的正文分为两个主要部分。书的前30页是比尔·c·马龙(Bill C. Malone)撰写的黑兹尔传记。在传记部分,读者了解到她在西弗吉尼亚州的家庭,他们的贫困,以及对更好的经济机会的追求,黑兹尔的爱情,以及一个女蓝草音乐家在一个由好男孩主导的领域中的挣扎。最后的55页左右包含了Hazel作品的歌词,以及Hazel对每首歌的评论。她讲述了歌曲的灵感,她在艺术上的挣扎,以及歌曲所反映的经历。两个部分之间的锁是有效的。在她的章节中,狄更斯提到了马龙触及的她生活中的主题,但在叙述中补充了额外的信息。她用一种接近她说话声音的方式讲述,这让写作变得生动起来。许多关于蓝草的书都认为,艺术家的歌曲选择或作品在某种程度上反映了艺术家的态度或经历,或者它在某种程度上代表了一种共同的社区审美。在《打工女郎的蓝调》一书中,生活经历与创作之间的联系是本书的主旨之一。例如,马龙的传记告诉我们,黑兹尔是一个体弱多病的孩子,大约三个月大的时候,她不愿喝牛奶。西弗吉尼亚州默瑟县的医生说,他已经尽了他所能来治疗黑兹尔的问题。黑兹尔的母亲萨拉是个害羞的女人,很少离开家。然而,尽管萨拉很害羞,她还是带着黑兹尔到最近的大医院去看婴儿医生。在那里,她得到了帮助,帮助黑兹尔度过了难关。读者最终会了解到,黑兹尔早年生活中的这段经历如何启发了她的两首歌:《妈妈的手》(Mama's Hand)和《带我过山》(Carry Me Across the Mountain)。黑兹尔评论了她和母亲之间的特殊关系,这些歌曲的歌词充分强调了这一点。展示新歌如何反映生活是很重要的,因为它展示了一个传统的歌曲作者如何将传世的音乐系统与经验结合起来,创造出适合当前场景的新作品。“工作女孩蓝调”表明,蓝草音乐不仅仅是将代代相传的音乐理念组合成小块,而是一种充满活力的音乐形式,艺术家们根据自己的生活环境塑造了这种音乐形式。《打工女孩的蓝调》还讲述了阿巴拉契亚移民的就业原因。…