Sharecropper's Troubadour: John L. Handcox, the Southern Tenant Farmers' Union, and the African American Song Tradition

R. H. Ferguson
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Abstract

Sharecropper's Troubadour: John L. Handcox, the Southern Tenant Farmers' Union, and the African American Song Tradition. By Michael K. Honey. (New York: Palgrave Macmillan, 2013. Pp. xix, 210. Acknowledgments, foreword by Pete Seeger, introduction, illustrations, notes, bibliography, index. $39.95.)In Sharecropper's Troubadour, labor historian Michael K. Honey provides readers with a moving and worthwhile oral history of African- American union activist and folk singer John L. Handcox. The book is also a call to action. "Hopefully," writes Honey, "Sharecropper's Troubadour will help us to understand the sharecroppers' revolt of the 1930s in a personal and emotive way" (p. 3). Honey wants Handcox's life in the trenches to inspire a new generation of social justice advocates. "As laboring people today fight for some way to make their way in the global economy," Honey implores his readers, "it remains useful to remember when evangelicals, labor radicals, 'white' folks and people of color, women and men, combined their dreams and mixed their tactics" (p. 154).Born near Brinkley, in Monroe County, Arkansas, John Handcox "grew up in one of the hardest places and at one of the hardest times to be black in America" (p. 12). However, Handcox's early life cautions historians not to paint the African-American experience under Jim Crow with broad strokes. Handcox's parents owned land (though it wouldn't "raise a fuss"), he was literate from a young age (and loved the poems of Paul Laurence Dunbar), and was quite skeptical of formal religion (p. 18). Still, Handcox's oral histories note the precarious nature of life in rural Arkansas for those who relied upon the land. One year's success would not necessarily translate into long-term success. After Handcox's father's death, the family moved to St. Francis County in the Arkansas Delta where he experienced natural disasters, unfathomable poverty, the ruthless practice of debt peonage, and threats of violence. "In the 1930s, deadly repression against labor organizers occurred across the country," writes Honey, "but eastern Arkansas was in a class unto itself" (p. 84).Throughout the book, Handcox offers poignant yet stark firsthand accounts of life during Jim Crow. "The way I see it, under slavery we used to be the master's slave," declared Handcox, "but after slavery we became everybody's slave" (p. 11). Never one to take life lying down, Handcox become a socialist, a folk singer, and a labor organizer for the Southern Tenant Farmers' Union in the 1930s. Most of the book dwells on the Depression years, which also saw the height of Handcox's relative fame. Relying heavily on oral history methodology, Honey uses Handcox as a conduit for understanding the sharecropper movement in Arkansas, Mississippi, and Missouri. …
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佃农的吟游诗人:约翰·l·汉考克斯、南方佃农联盟和非裔美国人的歌曲传统
佃农的吟游诗人:约翰·l·汉考克斯、南方佃农联盟和非裔美国人的歌曲传统。迈克尔·k·霍尼著。(纽约:Palgrave Macmillan出版社,2013)第19页,210页。致谢,皮特·西格的前言,引言,插图,注释,参考书目,索引。39.95美元)。在《佃农的行吟诗人》一书中,劳工历史学家迈克尔·k·霍尼为读者提供了一段动人而有价值的非裔美国工会活动家和民谣歌手约翰·l·汉考克斯的口述历史。这本书也是对行动的呼吁。“希望,”霍尼写道,“《佃农的行吟诗人》将帮助我们以个人和情感的方式理解20世纪30年代佃农的反抗”(第3页)。霍尼希望汉德考克斯在战壕中的生活能够激励新一代的社会正义倡导者。霍尼恳求他的读者:“当今天的劳动人民为在全球经济中找到自己的出路而斗争时,记住福音派教徒、劳工激进分子、‘白人’和有色人种、女人和男人把他们的梦想结合在一起,把他们的策略混合在一起,这仍然是有用的。”(第154页)。约翰·汉德考克斯出生在阿肯色州门罗县布林克利附近,“在美国最艰难的地方和最艰难的时期长大”(第12页)。然而,汉考克斯的早年生活提醒历史学家不要笼统地描绘黑人在吉姆·克劳制度下的经历。汉考克斯的父母拥有土地(尽管这不会“引起骚动”),他从小就识字(喜欢保罗·劳伦斯·邓巴的诗),对正式宗教持怀疑态度(第18页)。尽管如此,汉考克斯的口述历史还是指出了阿肯色州农村那些依赖土地的人生活的不稳定本质。一年的成功不一定转化为长期的成功。汉考克斯的父亲去世后,全家搬到了阿肯色三角洲的圣弗朗西斯县,在那里他经历了自然灾害、极度贫困、无情的债务劳役和暴力威胁。“在20世纪30年代,全国各地都发生了对劳工组织者的致命镇压,”霍尼写道,“但阿肯色州东部是独一无二的”(第84页)。在整本书中,汉考克斯提供了关于吉姆·克劳时期生活的尖锐而鲜明的第一手资料。“在我看来,在奴隶制下,我们曾经是主人的奴隶,”汉德考克斯宣称,“但在奴隶制之后,我们成了每个人的奴隶”(第11页)。汉考克斯从来没有放弃过生命,他在20世纪30年代成为一名社会主义者、一名民谣歌手和南方佃农联盟的劳工组织者。这本书的大部分内容都是关于大萧条时期的,这也是汉德考克斯相对名声最高的时期。霍尼主要依靠口述历史的方法论,将汉德考克斯作为理解阿肯色州、密西西比州和密苏里州佃农运动的渠道。...
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