"So obvious and so unthinkable": Eco-dystopia in Margaret Atwood's MaddAddam trilogy

Q2 Social Sciences Civitas Pub Date : 2021-01-01 DOI:10.5937/civitas2102140s
Ana Sentov
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Abstract

Themes of Nature and humanity's abuse of it have long featured in Margaret Atwood's works: poetry, fiction and non-fiction. The author is an environmental activist herself, taking an active interest in current environmental and climate change issues. From one of her earliest novels Surfacing (1972) to her seminal work The Handmaid's Tale (1985) to the more recent MaddAddam trilogy (comprising the novels Oryx and Crake (2003), The Year of the Flood (2009) and MaddAddam (2013)), Atwood has commented on and criticized humanity's treatment of nature as something to be dominated and beaten into submission. In the context of the current cultural and environmental crisis the world is experiencing, this paper will analyze Atwood's MaddAddam trilogy through the lens of ecocriticism and examine how closely her vision of eco-dystopia reflects the current state of affairs in the world.
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“如此显而易见又如此不可思议”:玛格丽特·阿特伍德《疯狂亚当》三部曲中的生态反乌托邦
在玛格丽特·阿特伍德的诗歌、小说和非小说作品中,自然和人类滥用自然的主题一直是她的特色。作者本人是一名环境活动家,对当前的环境和气候变化问题非常感兴趣。从她最早的小说《浮出水面》(1972年)到她的开创性作品《使女的故事》(1985年),再到最近的《疯狂亚当》三部曲(包括小说《羚羊与秧鸡》(2003年)、《洪水之年》(2009年)和《疯狂亚当》(2013年)),阿特伍德一直在评论和批评人类对待自然的方式,认为这是一种被统治和击败的东西。在当前世界正在经历的文化和环境危机的背景下,本文将通过生态批评的视角来分析阿特伍德的《疯狂亚当》三部曲,并研究她对生态反乌托邦的看法如何密切地反映了当今世界的现状。
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来源期刊
Civitas
Civitas Social Sciences-Cultural Studies
CiteScore
0.40
自引率
0.00%
发文量
32
审稿时长
35 weeks
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