Sacrifice, Faith, Mestizo Identity: Three Views of Che’s “New Man”

IF 0.1 4区 社会学 N/A HUMANITIES, MULTIDISCIPLINARY STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2016-05-11 DOI:10.7560/SLAPC3409
Gregory Stephens
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引用次数: 0

Abstract

Abstract:This article revisits Che Guevara’s concept of the new man through close readings of the book and film Motorcycle Diaries and Steven Soderbergh’s film Che: Part One (2008). Although I also briefly engage Che’s Episodes of the Cuban Revolutionary War and use Richard Dindo’s film Ernesto Che Guevara: The Bolivian Diary (1996) as a framing device, my primary focus is a critical analysis of the origins of the utopian myth of the new man.
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牺牲、信仰、混血人身份:格瓦拉“新人”的三观
摘要:本文通过阅读切·格瓦拉的小说、电影《摩托车日记》和史蒂文·索德伯格的电影《切·格瓦拉第一部》(2008),重新审视了切·格瓦拉的新人概念。虽然我也简要地介绍了切·格瓦拉的《古巴革命战争片段》,并使用理查德·丁多的电影《埃内斯托·切·格瓦拉:玻利维亚日记》(1996)作为框架工具,但我的主要关注点是对新人乌托邦神话的起源进行批判性分析。
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来源期刊
STUDIES IN LATIN AMERICAN POPULAR CULTURE
STUDIES IN LATIN AMERICAN POPULAR CULTURE HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
10
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