Die intermediale Differenz-Form-des-Dazwischen im (spät)romantischen Lied am Beispiel von Traum durch die Dämmerung – Vítězslav Nováks "musikalische Polemik"
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引用次数: 0
Abstract
The present article examines the fundamentals of musical polemics such as the Czech post-romantic composer Vítězslav Novák conducted against Richard Strauss. Based on the foundations of modern theories of intermediality (Zemanek 2012, Wirth 2004) and (post) romantic intermedial aesthetics (Schmidt 2005), a comparative formalistic and structural analysis of the musical version of Otto Julius Bierbaum’s poem Traum durch die Dämmerung by Strauss and Novák is carried out. Using this song as an example, it is examined on which structural levels the musical polemics in Nováks composition are realized, to what extent they represent a specific composition technique and whether and how they call into question the omnipresent idea of romantic “absolute music” (Dahlhaus 1978).
本文考察了音乐论战的基本原理，如捷克后浪漫主义作曲家Vítězslav Novák对理查德·施特劳斯的反对。基于现代中间性理论(Zemanek 2012, Wirth 2004)和(后)浪漫主义中间性美学(Schmidt 2005)的基础，对奥托·尤利乌斯·贝尔鲍姆(Otto Julius Bierbaum)的音乐版施特劳斯和Novák的诗歌《Traum durch die Dämmerung》进行了比较形式主义和结构分析。以这首歌为例，研究了Nováks作曲中的音乐论战是在哪些结构层面上实现的，它们在多大程度上代表了一种特定的作曲技术，以及它们是否以及如何质疑无处不在的浪漫主义“绝对音乐”(Dahlhaus 1978)。
期刊介绍：
Musicologica Brunensia is an international peer-reviewed scholarly journal publishing original articles in the field of musicology and related disciplines. The scope of the journal covers a wide range of topics, including not only a historical, but also a systematic area of musicology. The journal is not subject of any geographic restrictions. All submitted papers are double-blind peer review. The journal has been issued twice a year by Masaryk University (Faculty of Arts), Brno, Czech Republic, since 2009.
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