"mit gleicher andacht alle Ins gesambt Täglich betten" : nástěnné malby Josefa Sterna v kapli Paláce šlechtičen v Brně

Q4 Arts and Humanities Opuscula Historiae Artium Pub Date : 2022-01-01 DOI:10.5817/oha2022-1-2-7
Michaela Šeferisová Loudová
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Abstract

The chapel of the Palace of Noble Ladies represents a unique sacral space, decorated in 1756 with murals by Josef Stern (1716–1775), a leading painter of the second half of the 18th century in Moravia. In the interior of the chapel, poor maidens from aristocratic and burgher families met for daily prayers; they lived in the palace by the cut-down rules for monastic communities under the protection of a specially established foundation. It was to them that the remarkable, didactically focused iconographic programme of Stern’s paintings was to speak. Recently completed restoration work, the aim of which was the complete restoration of the murals and the entire interior of the chapel, have given rise to new reflections not only on the formally stylistic aspects of Stern’s ceiling paintings and their themes, but also on the broader context of their origin, including the functioning of the foundation and the upbringing of its wards.
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“mit gleicher andacht alle Ins gesambt Tagätig betten”:约瑟夫·斯特恩在布尔诺贵族宫小教堂的壁画
贵妇宫的礼拜堂代表了一个独特的神圣空间,1756年由18世纪下半叶摩拉维亚著名画家约瑟夫·斯特恩(Josef Stern, 1716-1775)的壁画装饰。在礼拜堂的内部,来自贵族和市民家庭的贫穷少女每天聚在一起祈祷;他们住在宫殿里,在一个专门建立的基金会的保护下,按照修道院社区的精简规则生活。正是对他们来说,斯特恩绘画中引人注目的、以教学为重点的图像程序才是说话的对象。最近完成的修复工作,其目的是完全恢复壁画和教堂的整个内部,不仅对Stern的天花板画及其主题的正式风格方面产生了新的思考,而且对其起源的更广泛的背景,包括基础的功能和它的抚养。
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Opuscula Historiae Artium
Opuscula Historiae Artium Arts and Humanities-Visual Arts and Performing Arts
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