{"title":"\"Köstliches und kunstreiches Stickwerck\" : portrét diplomata Gian Giacoma Leonardiho della Rovere hraběte z Montelabate ze zámku Bystřice pod Hostýnem","authors":"Zdeněk Kazlepka","doi":"10.5817/oha2022-1-2-12","DOIUrl":null,"url":null,"abstract":"From the château at Bystřice pod Hostýnem comes a painting presenting the portrait of Gian Giacomo Leonardi della Rovere, Count of Montelabate (1498–1562), a diplomat of the Urbino court in Venice. The portrait came to the château with the ancient Pesaro family of Leonardi della Rovere, which in 1737 joined with the counts of Rottal, the owner of an extensive Moravian fideicommiss. The painting probably originated in the northern Italian court environment and its author is considered to be an artist active in Titian's circle. It is known that the person portrayed was a close friend of this famous Venetian artist. The portrait engages with its particularly remarkable iconography, for which we can hardly find a parallel elsewhere. Its composition consists of a \"knight\" in portrait in a ceremonial outfit, accompanied by a black squire also dressed in armour and holding a hunting spear, as an important symbol associated with the personality of Emperor Charles V, whom Gian Giacomo met and negotiated with several times as a diplomat. This depiction of a double portrait with a small black squire is unique and one of the first depictions in modern art history. The picture is dated post quem 1540.","PeriodicalId":35074,"journal":{"name":"Opuscula Historiae Artium","volume":"17 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Opuscula Historiae Artium","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5817/oha2022-1-2-12","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
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Abstract
From the château at Bystřice pod Hostýnem comes a painting presenting the portrait of Gian Giacomo Leonardi della Rovere, Count of Montelabate (1498–1562), a diplomat of the Urbino court in Venice. The portrait came to the château with the ancient Pesaro family of Leonardi della Rovere, which in 1737 joined with the counts of Rottal, the owner of an extensive Moravian fideicommiss. The painting probably originated in the northern Italian court environment and its author is considered to be an artist active in Titian's circle. It is known that the person portrayed was a close friend of this famous Venetian artist. The portrait engages with its particularly remarkable iconography, for which we can hardly find a parallel elsewhere. Its composition consists of a "knight" in portrait in a ceremonial outfit, accompanied by a black squire also dressed in armour and holding a hunting spear, as an important symbol associated with the personality of Emperor Charles V, whom Gian Giacomo met and negotiated with several times as a diplomat. This depiction of a double portrait with a small black squire is unique and one of the first depictions in modern art history. The picture is dated post quem 1540.
“Köstliches und kunstreiches Stickwerck”:外交官Gian Giacomo Leonardi della Rovere在城堡Bystřice pod Hostýnem的肖像
位于Bystřice pod Hostýnem的ch teau博物馆展出了一幅描绘威尼斯乌尔比诺宫廷外交官、蒙特拉巴特伯爵(1498-1562)Gian Giacomo Leonardi della Rovere的肖像画。这幅画是随着莱奥纳迪·德拉·罗维里的古佩萨罗家族来到ch的,该家族于1737年与罗塔尔伯爵合并,罗塔尔伯爵是摩拉维亚一个庞大的宗教委员会的所有者。这幅画可能起源于意大利北部的宫廷环境,它的作者被认为是提香圈子里活跃的艺术家。众所周知,被描绘的人是这位著名威尼斯艺术家的密友。这幅肖像与它非凡的肖像学相结合,我们很难在其他地方找到类似的作品。这幅画的组成是一个穿着正式服装的“骑士”肖像,旁边是一个同样穿着盔甲、手持猎枪的黑人侍从,这是与皇帝查理五世个性相关的重要象征,Gian Giacomo作为外交官与皇帝查理五世会面并进行了多次谈判。这幅双画像与一个小黑人侍从的描绘是独特的,也是现代艺术史上最早的描绘之一。这幅画的年代是1540年之后。