The Space of Cartography

Gabriel Carrascal Aguirre
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Abstract

Abstract “All perceiving is also thinking, all reasoning is also intuition, all observation is also invention” Rudolph Arnheim Among the places found inside contemporary cities, a certain kind of space exists, the importance of which is often overlooked, even by those who are charged with creating them. This could be explained by the fact that, singularly, these spaces do not have a specific location, since they are in essence symbolic or conceptual in character. I am referring to our way of graphically representing our environment: maps. As will soon be explained, the map in itself is a place that substitutes the reality that it represents. It is a surrogate space that operates fundamentally through analogy and abstraction. The production and use of this type of space carries important implications in the configuration of our physical environment at any scale, be it that of a project, a city or the land. The transformative capacity of cartographic activity will be comparable here to project design, refuting the usual conception about both as having essentially different natures; project design is usually seen as being dynamic in character and tinged with specific actions leading to a transformation of the environment over time, while maps are reduced to being a static projection of an existing physical reality onto a smaller surface. The fundamental idea behind putting maps and projects on the same level rests on the fact that any form of spatial representation entails an exercise of acting upon the represented object.
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制图的空间
“所有的感知也是思考,所有的推理也是直觉,所有的观察也是发明”鲁道夫·阿恩海姆在当代城市中发现的地方中,存在着某种空间,它的重要性往往被忽视,甚至被那些负责创造它们的人所忽视。这可以用这样一个事实来解释,奇怪的是,这些空间没有特定的位置,因为它们本质上是象征性的或概念性的。我指的是我们用图形表示环境的方式:地图。我们很快就会解释,地图本身就是一个代替它所代表的现实的地方。它是一个代理空间,从根本上通过类比和抽象来运作。这种类型的空间的生产和使用在任何规模的物理环境配置中都具有重要的意义,无论是项目,城市还是土地。制图活动的变革能力在这里可与项目设计相媲美,驳斥了通常认为两者本质上不同的概念;项目设计通常被认为是动态的,并伴随着特定的行动,导致环境随着时间的推移而变化,而地图则被简化为现有物理现实在较小表面上的静态投影。将地图和项目放在同一层面背后的基本理念是基于这样一个事实,即任何形式的空间表示都需要对所表示的对象进行操作。
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24 weeks
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