SUI GENERIS. GENDER PORTRAYALS IN ITALIAN TELEVISION ADVERTISING

IF 1.3 Q2 COMMUNICATION Analisi-Quaderns de Comunicacio i Cultura Pub Date : 2014-08-25 DOI:10.7238/A.V0I50.2274
P. Panarese
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引用次数: 2

Abstract

The article reports the results of a content analysis of 815 Italian commercials and a qualitative research on some case studies. The study aims to determine the level of sex typing in the Italian advertising and try to find some changes in the gender representations. If the content analysis confirms the perpetuation of old stereotypes in the Italian commercials, the qualitative research reveals a timid transgression of traditional gender roles. Sometimes, women are depicted as professionals and ambitious workers, inserted in different workplaces and not confined at home, and flanked to the men and not only accompanied by them. Occasionally, men are depicted at home, in the role of father or as a sexual object. However, the “new” portrayals do not imply a reduction of the differences between men and women. Rather, they articulate the gender diversity in a more subtle form. On the one hand, the Italian commercials reassure traditional identities, pushing them towards consumptions that destabilize the gender order. On the other hand, they promote a new awareness and attention to the gender complexity, anchoring it to traditional consumptions. Even if the new portrayals are few and do not constitute a trend, they prove that the topic is more complex than it seems, and the issues are much more nuanced than in the past.
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独一无二的。意大利电视广告中的性别形象
本文对815条意大利广告进行了内容分析,并对一些案例进行了定性研究。本研究旨在确定意大利广告中性别类型的水平,并试图找到性别表现的一些变化。如果说内容分析证实了意大利广告中陈旧刻板印象的延续,那么定性研究则揭示了对传统性别角色的怯懦僭越。有时,女性被描绘成专业人士和雄心勃勃的工作者,插入不同的工作场所,而不是局限在家里,在男性的侧面,而不仅仅是陪伴他们。偶尔,男性也会被描绘在家里,扮演父亲的角色或作为性对象。然而,“新的”描述并不意味着男女之间的差异会减少。相反,它们以一种更微妙的形式表达了性别多样性。一方面,意大利的商业广告安抚了传统身份,将他们推向破坏性别秩序的消费。另一方面,他们促进了对性别复杂性的新认识和关注,将其锚定在传统消费上。即使新的描述很少,也不构成一种趋势,但它们证明了这个话题比看起来要复杂得多,问题比过去要微妙得多。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.90
自引率
0.00%
发文量
16
审稿时长
24 weeks
期刊最新文献
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