Bioethics and witnessing

Pub Date : 2023-11-06 DOI:10.1111/dewb.12432
Debora Diniz
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There is always a risk in doing bioethics as an accompaniment-witness—the risk of not properly listening to people and failing to fully respect their stories. I write academic papers, I make documentary films, I photograph fragments of survival and care, yet I struggle with not knowing how to best share my findings with people that matters the most: those at the center of the needs. To listen to them is to receive fragments of life and intimacy: my writings and images are formats for sharing back what they offer; and they are always precarious.</p><p>The ethical compromise to, first, share with them the academic work and to be challenged by them is one of the reasons that led me to make films and take pictures—as these are artistic ways of expressing my understandings in formats that are not just the jargon of academic papers; films and photos are languages that cross our multiple communities of expression. I always share my academic outcomes with women before moving from the role of listener to the public writer. Usually what happens is that they watch the film and recommend edits; they select the pictures they prefer. Not rarely, they ask me for new shots or new poses. They tell new fragments of life, and I am invited to be a listener again. We redo the work together.</p><p>I can imagine some readers arguing that this community engagement might contaminate my work or even introduce a pervasive bias into my writings. I have no counterarguments to this position, as I do not seek neutrality in my work, but rather I want to be reliable to the communities of practice in which I engage. And the academic community is just one of them. The gesture of sharing my writing or films with the communities is not the same as accepting their narratives or perspectives on the ethical issues: I am the author of my work, and the responsibility of how I frame their narratives is mine. 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引用次数: 0

Abstract

Bioethics is about abstract reasoning and philosophical thinking.1 It is also about listening and telling stories; it is about ethical care and political imagination. In my way of doing bioethics, I need ethnography—the process of listening, feeling, and sharing lives—to understand how and why bioethical issues, such as life and death, care and abandonment, power and need, are lived concretely by people. It is a constant tension between the abstract concepts and the lived lives of people.

I know that it is not a shared definition, but doing bioethics means being an accompaniment-witness with the duty to speak the truth.2 It is not just the academic truth of methods and reasonable arguments; it is a truth that respects people's lives and actively seeking to challenge the oppressive powers. There is always a risk in doing bioethics as an accompaniment-witness—the risk of not properly listening to people and failing to fully respect their stories. I write academic papers, I make documentary films, I photograph fragments of survival and care, yet I struggle with not knowing how to best share my findings with people that matters the most: those at the center of the needs. To listen to them is to receive fragments of life and intimacy: my writings and images are formats for sharing back what they offer; and they are always precarious.

The ethical compromise to, first, share with them the academic work and to be challenged by them is one of the reasons that led me to make films and take pictures—as these are artistic ways of expressing my understandings in formats that are not just the jargon of academic papers; films and photos are languages that cross our multiple communities of expression. I always share my academic outcomes with women before moving from the role of listener to the public writer. Usually what happens is that they watch the film and recommend edits; they select the pictures they prefer. Not rarely, they ask me for new shots or new poses. They tell new fragments of life, and I am invited to be a listener again. We redo the work together.

I can imagine some readers arguing that this community engagement might contaminate my work or even introduce a pervasive bias into my writings. I have no counterarguments to this position, as I do not seek neutrality in my work, but rather I want to be reliable to the communities of practice in which I engage. And the academic community is just one of them. The gesture of sharing my writing or films with the communities is not the same as accepting their narratives or perspectives on the ethical issues: I am the author of my work, and the responsibility of how I frame their narratives is mine. It is more a movement of having them as my first interlocutors for whatever I want to say about their lives. As I do with my academic colleagues, I will open a conversation about my work, and in case of deep disagreements, we will find solutions to deal with them. As in academic dialogues, it is not all criticisms that we accept, but at least we offer time and space to be a listener.

The goal is to speak with and about them in spaces that they do not participate in, especially spaces with the power to protect their needs and change the conditions of precarity.3 The bioethicist is a witness that speaks the truth of people to the power. There is always a risk in speaking the truth to power—the systems of oppression, such as patriarchal and racist forces, want to keep the hegemony of the norms that circulate, they want to have the control of the laws and policies.

I might say that there is an additional risk in being such an active witness —we cannot be afraid of the political consequences of our academic work. I am a feminist doing bioethics, and someone can challenge my ethical and political positions about how to achieve gender justice; and after knowing each other's commitments to life, we can disagree about our principles. But, first, I need to know how the interlocutor learned about needs, care, abandonment, survival, or wellbeing, if they learned bioethics from books or also from people. I want to be challenged in my arguments and in my ethnography, in my academic rigor and my responsibility as an accompanied witness. I also see it as part of my responsibility to challenge those who do not agree that a more equitable world is a better space for all.

The bioethics I practice does not dissociate from imagination and emotions—as those are at the heart of listening to and understanding the people's stories. We need to be able to expand our imagination and learn how others feel about their life needs. Witnessing is not just about the other, it is also about us. It is a matter of taking responsibility for the privileges of being an academic writer and speaker. I am not sure if this is necessarily the “proper way” of doing bioethics. But it is one possible way: a combination of poetics and aesthetics; ethics and politics; of being there and here.

The author declares no conflict of interest.

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生物伦理学和见证。
生物伦理涉及抽象推理和哲学思考1 ,也涉及倾听和讲述故事;涉及伦理关怀和政治 想象力。在我从事生命伦理学研究的过程中,我需要人种学--倾听、感受和分享生活的过程--来理解生命伦理学问题,如生与死、关爱与遗弃、权力与需求,是如何以及为什么被人们具体地生活着。我知道这并不是一个共同的定义,但从事生命伦理学工作就意味着要成为一个有责任说出真相的陪伴者--见证者。2 这不仅仅是方法和合理论据的学术真相,而是一种尊重人们的生活并积极寻求挑战压迫性权力的真相。作为一名陪伴者--见证者,在从事生命伦理学研究的过程中始终存在着风险--那就是不能正确地倾听人们的声音,不能充分尊重他们的故事。我撰写学术论文,拍摄纪录片,拍摄生存与关怀的片段,但我却苦于不知道如何才能最好地与最重要的人(即那些处于需求中心的人们)分享我的研究成果。首先,与她们分享学术成果,并接受她们的挑战,这种伦理上的妥协是促使我拍摄电影和照片的原因之一--因为这是用艺术的方式表达我的理解,而不仅仅是学术论文的行话;电影和照片是跨越我们多种表达群体的语言。在从倾听者的角色转变为公众作家之前,我总是与女性分享我的学术成果。通常情况下,她们会观看影片并提出剪辑建议;她们会选择自己喜欢的图片。她们要求我拍摄新的镜头或摆出新的姿势,这种情况并不少见。他们讲述新的生活片段,而我被邀请再次成为聆听者。我可以想象,有些读者会说,这种社区参与可能会污染我的作品,甚至在我的作品中引入普遍的偏见。对于这个观点,我没有反驳的理由,因为我在工作中并不寻求中立,而是希望我所参与的实践社区是可靠的。学术界只是其中之一。与实践社区分享我的作品或电影并不等于接受他们对伦理问题的叙述或观点:我是我的作品的作者,如何构建他们的叙述是我的责任。这更像是让他们成为我的第一对话者,无论我想讲述他们的生活是什么。就像我与学术界的同事一样,我会就我的工作展开对话,如果有深刻的分歧,我们会找到解决的办法。与学术对话一样,我们并不是接受所有的批评,但至少我们会提供时间和空间,做一个倾听者。我们的目标是在他们没有参与的空间里,特别是在有权力保护他们的需求和改变不稳定状况的空间里,与他们对话,谈论他们。3 生物伦理学家是一个向权力说出真相的见证人。向权力说出真相总是有风险的--压迫体系,如父权制和种族主义势力,希望保持流传规范的霸权地位,他们希望控制法律和政策。我是一名从事生命伦理学研究的女权主义者,有人可能会质疑我关于如何实现性别公正的伦理和政治立场;在了解了彼此对生命的承诺之后,我们也可能会在原则问题上产生分歧。但首先,我需要知道对话者是如何了解需求、关爱、遗弃、生存或福祉的,他们是从书本上学到生命伦理学的,还是也是从人身上学到的。我希望在我的论点和民族志中,在我的学术严谨性和我作为陪同见证人的责任中,都能接受挑战。我认为我的责任还包括挑战那些不同意 "一个更加公平的世界对所有人来说都是一个更好的空间 "这一观点的人。我所实践的生命伦理学并没有脱离想象力和情感--因为这些是倾听和理解人们故事的核心。我们需要拓展想象力,了解他人对其生活需求的感受。见证不仅与他人有关,也与我们有关。这是对作为一名学术作家和演讲者的特权负责的问题。我不确定这是否是从事生命伦理学研究的 "正确方式"。但这是一种可能的方式:诗学与美学的结合;伦理与政治的结合;在此在彼的结合。 作者声明无利益冲突。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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