The Faerie Queene as an Aristotelian Inquiry into Ethics

Q1 Arts and Humanities Spenser Studies Pub Date : 2019-01-01 DOI:10.1086/699644
Maria Devlin McNair
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Abstract

Spenser’s The Faerie Queene constitutes an Aristotelian inquiry into ethics because of its continual demand for judgment. For Aristotle, there is no single rule for what constitutes good action; similarly, in The Faerie Queene, there is no single rule for interpreting the poem’s allegories. The agent or reader must evaluate the unique circumstances of each case before she can act or interpret correctly. In The Faerie Queene, this is partly because the significance of individual characters, motifs, and actions changes radically from episode to episode. Spenser’s wide range of literary and philosophical sources likewise means that the poem has no single interpretive key. The variation and diversity of The Faerie Queene offer, not rules to follow or examples to imitate, but rather, case studies to analyze, whose narrative particularity both demands and develops judgment. I analyze key episodes from Books I, II, and V, and show that if we attempted to derive general ethical or interpretive rules from these episodes, these rules would lead us to misread other parts of the poem. To interpret the poem adequately, we must develop and apply an informed judgment to each individual case—the same process required of an Aristotelian ethical agent.
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《仙后》是亚里士多德对伦理学的探究
斯宾塞的《仙后》构成了亚里士多德式的伦理学探究,因为它不断地要求判断。对亚里士多德来说,善的行为没有单一的规则;同样,在《仙后》中,也没有单一的规则来解释这首诗的寓言。代理人或读者必须评估每个案例的独特情况,然后才能正确地采取行动或解释。在《仙后》中,部分原因是个体角色、主题和行动的重要性随着情节的变化而发生了根本性的变化。斯宾塞广泛的文学和哲学来源同样意味着这首诗没有单一的解释钥匙。《仙后》的变化和多样性提供的不是要遵循的规则或模仿的例子,而是要分析的案例,其叙事的特殊性既要求也发展了判断。我分析了第一、二、五册中的关键章节,并指出,如果我们试图从这些章节中推导出一般的伦理或解释性规则,这些规则将导致我们误读诗歌的其他部分。为了充分解释这首诗,我们必须对每一个个案做出明智的判断——这是亚里士多德伦理主体所需要的相同过程。
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来源期刊
Spenser Studies
Spenser Studies Arts and Humanities-Literature and Literary Theory
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Front Matter “Soveraigne place”: Spenser with Henri Lefebvre Thinking through Symbionts: Spenser with Donna Haraway On Dissonance and Late Style: Spenser with Theodor W. Adorno In the Person of the Author: A Response to “Imagined Companions”
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