Philosophy of Music: Wittgenstein and Cardew

M. P. Pujadas
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引用次数: 1

Abstract

The article focuses on the experimental music that emerged after the Second World War and in graphic musical notation. He has a special interest in the influence exercised by the reading of the Tractatus Logico Philosophicus in the musical work Treatise by Cornelius Cardew. The isomorphism between language and reality and the different types of propositions formulated by the first Wittgenstein represent a new conception of music in the composer.
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音乐哲学:维特根斯坦和卡杜
本文主要研究二战后出现的实验音乐和图形乐谱。他对读《逻辑哲学论》对科尼利厄斯·卡杜的音乐作品《人学论》的影响特别感兴趣。第一维特根斯坦所提出的语言与现实的同构性和不同类型的命题,代表了作曲家的一种新的音乐观。
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1.60
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期刊最新文献
Opening Up to the Unexpected: Reclaiming Emotion and Power in the Public Space of Music Education 中国音乐教育与国际音乐教育 [Chinese Music Education and International Music Education] by Jianhua Guan (review) Music for All or Partisan Advocacy? Exploring Socialized Epistemologies Musik–Vielfalt–Integration–Inklusion: Musikdidaktik für die eine Schule [Music–Diversity–Inclusion–Integration: A New Philosophy of Music Education for an Inclusive School] by Irmgard Merkt (review) Editorial Reflections on Philosophizing in Music Education
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